Zeng Ren, Yannis Rammos, Martin A. Rohrmeier
Formal Modeling of Structural Repetition Using Tree Compression 53-60[pdf] |
Adithi Shankar, Genís Plaja-Roglans, Thomas Nuttall, Martín Rocamora, Xavier Serra
Saraga Audiovisual: A Large Multimodal Open Data Collection for the Analysis of Carnatic Music 61-69[pdf] |
Xingjian Du, Mingyu Liu, Pei Zou, Xia Liang, Zijie Wang, Huidong Liang, Bilei Zhu
X-Cover: Better Music Version Identification System by Integrating Pretrained ASR Model 70-77[pdf] |
Emmanuel Deruty
Harmonic and Transposition Constraints Arising From the Use of the Roland TR-808 Bass Drum 78-85[pdf] |
Hitoshi Suda, Shunsuke Yoshida, Tomohiko Nakamura, Satoru Fukayama, Jun Ogata
FruitsMusic: A Real-World Corpus of Japanese Idol-Group Songs 86-94[pdf] |
Marios Glytsos, Christos Garoufis, Athanasia Zlatintsi, Petros Maragos
Classical Guitar Duet Separation Using GuitarDuets - A Dataset of Real and Synthesized Guitar Recordings 95-102[pdf] |
Ziya Zhou, Yuhang Wu, Zhiyue Wu, Xinyue Zhang, Ruibin Yuan, Yinghao Ma, Lu Wang, Emmanouil Benetos, Wei Xue, Yike Guo
Can LLMs “Reason” in Music? an Evaluation of LLMs’ Capability of Music Understanding and Generation 103-110[pdf] |
Marco Pasini, Stefan Lattner, George Fazekas
Music2Latent: Consistency Autoencoders for Latent Audio Compression 111-119[pdf] |
Johannes Zeitler, Ben Maman, Meinard Müller
Robust and Accurate Audio Synchronization Using Raw Features From Transcription Models 120-127[pdf] |
Takayuki Nakatsuka, Masahiro Hamasaki, Masataka Goto
Harnessing the Power of Distributions: Probabilistic Representation Learning on Hypersphere for Multimodal Music Information Retrieval 128-136[pdf] |
Andrew M. Demetriou, Jaehun Kim, Sandy Manolios, Cynthia Liem
Towards Automated Personal Value Estimation in Song Lyrics 137-145[pdf] |
Simon Rouard, Yossi Adi, Jade Copet, Axel Roebel, Alexandre Defossez
Audio Conditioning for Music Generation via Discrete Bottleneck Features 146-153[pdf] |
Chenyu Gao, Federico Reuben, Tom Collins
Variation Transformer: New Datasets, Models, and Comparative Evaluation for Symbolic Music Variation Generation 154-163[pdf] |
Vjosa Preniqi, Iacopo Ghinassi, Julia Ive, Kyriaki Kalimeri, Charalampos Saitis
Automatic Detection of Moral Values in Music Lyrics 164-172[pdf] |
Sebastian Strahl, Meinard Müller
Semi-Supervised Piano Transcription Using Pseudo-Labeling Techniques 173-181[pdf] |
Huiran Yu, Zhiyao Duan
Note-Level Transcription of Choral Music 182-188[pdf] |
Tsung-Ping Chen, Kazuyoshi Yoshii
Learning Multifaceted Self-Similarity Over Time and Frequency for Music Structure Analysis 189-197[pdf] |
Antonin Gagneré, Slim Essid, Geoffroy Peeters
A Contrastive Self-Supervised Learning Scheme for Beat Tracking Amenable to Few-Shot Learning 198-206[pdf] |
Morgan Buisson, Brian McFee, Slim Essid
Using Pairwise Link Prediction and Graph Attention Networks for Music Structure Analysis 207-214[pdf] |
Danbinaerin Han, Mark R. H. Gotham, DongMin Kim, Hannah Park, Sihun Lee, Dasaem Jeong
Six Dragons Fly Again: Reviving 15th-Century Korean Court Music With Transformers and Novel Encoding 217-224[pdf] |
David Rizo, Jorge Calvo-Zaragoza, Patricia García-Iasci, Teresa Delgado-Sánchez
Lessons Learned From a Project to Encode Mensural Music on a Large Scale With Optical Music Recognition 225-231[pdf] |
Elena Georgieva, Pablo Ripollés, Brian McFee
The Changing Sound of Music: An Exploratory Corpus Study of Vocal Trends Over Time 232-239[pdf] |
Pedro Ramoneda, Martín Rocamora, Taketo Akama
Music Proofreading With RefinPaint: Where and How to Modify Compositions Given Context 240-247[pdf] |
Yigitcan Özer, Hans-Ulrich Berendes, Vlora Arifi-Müller, Fabian-Robert Stöter, Meinard Müller
Notewise Evaluation for Music Source Separation: A Case Study for Separated Piano Tracks 248-255[pdf] |
Jyoti Narang, Nazif Can Tamer, Viviana De La Vega, Xavier Serra
Automatic Estimation of Singing Voice Musical Dynamics 256-263[pdf] |
Or Tal, Alon Ziv, Itai Gat, Felix Kreuk, Yossi Adi
Joint Audio and Symbolic Conditioning for Temporally Controlled Text-to-Music Generation 264-271[pdf] |
Javier Nistal, Marco Pasini, Cyran Aouameur, Maarten Grachten, Stefan Lattner
Diff-a-Riff: Musical Accompaniment Co-Creation via Latent Diffusion Models 272-280[pdf] |
Ngan V.T. Nguyen, Elizabeth Acosta, Tommy Dang, David Sears
Exploring Internet Radio Across the Globe With the MIRAGE Online Dashboard 281-287[pdf] |
Andrew C. Edwards, Xavier Riley, Pedro Pereira Sarmento, Simon Dixon
MIDI-to-Tab: Guitar Tablature Inference via Masked Language Modeling 288-294[pdf] |
Jaehun Kim, Florian Henkel, Camilo Landau, Samuel E. Sandberg, Andreas F. Ehmann
Transcription-Based Lyrics Embeddings: Simple Extraction of Effective Lyrics Embeddings From Audio 295-303[pdf] |
Hyon Kim, Xavier Serra
A Method for MIDI Velocity Estimation for Piano Performance by a U-Net With Attention and FiLM 304-310[pdf] |
Yun-Han Lan, Wen-Yi Hsiao, Hao-Chung Cheng, Yi-Hsuan Yang
MusiConGen: Rhythm and Chord Control for Transformer-Based Text-to-Music Generation 311-318[pdf] |
Tim Beyer, Angela Dai
End-to-End Piano Performance-MIDI to Score Conversion With Transformers 319-326[pdf] |
Dorian Desblancs, Gabriel Meseguer-Brocal, Romain Hennequin, Manuel Moussallam
From Real to Cloned Singer Identification 327-334[pdf] |
Jingyue Huang, Ke Chen, Yi-Hsuan Yang
Emotion-Driven Piano Music Generation via Two-Stage Disentanglement and Functional Representation 335-342[pdf] |
Jiajun Deng, Yaolong Ju, Jing Yang, Simon Lui, Xunying Liu
Efficient Adapter Tuning for Joint Singing Voice Beat and Downbeat Tracking With Self-Supervised Learning Features 343-351[pdf] |
Eun Ji Oh, Hyunjae Kim, Kyung Myun Lee
Which Audio Features Can Predict the Dynamic Musical Emotions of Both Composers and Listeners? 352-359[pdf] |
Julia Barnett, Hugo Flores García, Bryan Pardo
Exploring Musical Roots: Applying Audio Embeddings to Empower Influence Attribution for a Generative Music Model 360-368[pdf] |
Andre Holzapfel, Anna-Kaisa Kaila, Petra Jääskeläinen
Green MIR? Investigating Computational Cost of Recent Music-Ai Research in ISMIR 371-380[pdf] |
Seikoh Fukuda, Yuko Fukuda, Masamichi Hosoda, Ami Motomura, Eri Sasao, Masaki Matsubara, Masahiro Niitsuma
Field Study on Children’s Home Piano Practice: Developing a Comprehensive System for Enhanced Student-Teacher Engagement 381-388[pdf] |
Brian Bemman, Justin Christensen
Inner Metric Analysis as a Measure of Rhythmic Syncopation 389-396[pdf] |
Lidia J. Morris, Rebecca Leger, Michele Newman, John Ashley Burgoyne, Ryan Groves, Natasha Mangal, Jin Ha Lee
HAISP: A Dataset of Human-AI Songwriting Processes From the AI Song Contest 397-404[pdf] |
Giulia Argüello, Luca A. Lanzendörfer, Roger Wattenhofer
Cue Point Estimation Using Object Detection 405-412[pdf] |
Kartik Ohri, Robert Kaye
The ListenBrainz Listens Dataset 413-419[pdf] |
Marco Comunità, Zhi Zhong, Akira Takahashi, Shiqi Yang, Mengjie Zhao, Koichi Saito, Yukara Ikemiya, Takashi Shibuya, Shusuke Takahashi, Yuki Mitsufuji
SpecMaskGIT: Masked Generative Modeling of Audio Spectrogram for Efficient Audio Synthesis and Beyond 420-428[pdf] |
Zach Evans, Julian D. Parker, CJ Carr, Zachary Zukowski, Josiah Taylor, Jordi Pons
Long-Form Music Generation With Latent Diffusion 429-437[pdf] |
Martin E. Malandro
Composer’s Assistant 2: Interactive Multi-Track MIDI Infilling With Fine-Grained User Control 438-445[pdf] |
Yu-Hua Chen, Yen-Tung Yeh, Yuan-Chiao Cheng , Jui-Te Wu, Yu-Hsiang Ho, Jyh-Shing Roger Jang, Yi-Hsuan Yang
Towards Zero-Shot Amplifier Modeling: One-to-Many Amplifier Modeling via Tone Embedding Control 446-453[pdf] |
Ju-Chiang Wang, Wei-Tsung Lu, Jitong Chen
Mel-RoFormer for Vocal Separation and Vocal Melody Transcription 454-461[pdf] |
Noelia N. Luna-Barahona, Adrián Roselló, María Alfaro-Contreras, David Rizo, Jorge Calvo-Zaragoza
Unsupervised Synthetic-to-Real Adaptation for Optical Music Recognition 462-469[pdf] |
Jinlong Zhu, Keigo Sakurai, Ren Togo, Takahiro Ogawa, Miki Haseyama
MMT-BERT: Chord-Aware Symbolic Music Generation Based on Multitrack Music Transformer and MusicBERT 470-477[pdf] |
Recep Oguz Araz, Xavier Serra, Dmitry Bogdanov
Discogs-VI: A Musical Version Identification Dataset Based on Public Editorial Metadata 478-485[pdf] |
Nicholas Cornia, Bruno Forment
Who’s Afraid of the `Artyfyshall Byrd’? Historical Notions and Current Challenges of Musical Artificiality 486-492[pdf] |
Yaolong Ju, Chun Yat Wu, Betty Cortiñas Lorenzo, Jing Yang, Jiajun Deng, Fan Fan, Simon Lui
End-to-End Automatic Singing Skill Evaluation Using Cross-Attention and Data Augmentation for Solo Singing and Singing With Accompaniment 493-500[pdf] |
Francesco Foscarin, Emmanouil Karystinaios, Eita Nakamura, Gerhard Widmer
Cluster and Separate: A GNN Approach to Voice and Staff Prediction for Score Engraving 503-510[pdf] |
Huan Zhang, Jinhua Liang, Simon Dixon
From Audio Encoders to Piano Judges: Benchmarking Performance Understanding for Solo Piano 511-519[pdf] |
Pedro Ramoneda, Vsevolod E. Eremenko, Alexandre D’Hooge, Emilia Parada-Cabaleiro, Xavier Serra
Towards Explainable and Interpretable Musical Difficulty Estimation: A Parameter-Efficient Approach 520-528[pdf] |
Michele Newman, Lidia J. Morris, Jun Kato, Masataka Goto, Jason Yip, Jin Ha Lee
Purposeful Play: Evaluation and Co-Design of Casual Music Creation Applications With Children 529-539[pdf] |
Nicholas Evans, Behzad Haki, Daniel Gómez-Marín, Sergi Jordà
El Bongosero: A Crowd-Sourced Symbolic Dataset of Improvised Hand Percussion Rhythms Paired With Drum Patterns 540-546[pdf] |
Joanne Affolter, Martin A. Rohrmeier
Utilizing Listener-Provided Tags for Music Emotion Recognition: A Data-Driven Approach 547-554[pdf] |
Chih-Pin Tan, Hsin Ai, Yi-Hsin Chang, Shuen-Huei Guan, Yi-Hsuan Yang
PiCoGen2: Piano Cover Generation With Transfer Learning Approach and Weakly Aligned Data 555-562[pdf] |
Soumya Sai Vanka, Christian J. Steinmetz, Jean-Baptiste Rolland, Joshua D. Reiss, George Fazekas
Diff-MST: Differentiable Mixing Style Transfer 563-570[pdf] |
Julien PM Guinot, Elio Quinton, George Fazekas
Semi-Supervised Contrastive Learning of Musical Representations 571-579[pdf] |
Léo Géré, Nicolas Audebert, Philippe Rigaux
Improved Symbolic Drum Style Classification With Grammar-Based Hierarchical Representations 580-587[pdf] |
Jiwoo Ryu, Hao-Wen Dong, Jongmin Jung, Dasaem Jeong
Nested Music Transformer: Sequentially Decoding Compound Tokens in Symbolic Music and Audio Generation 588-595[pdf] |
Pedro González-Barrachina, María Alfaro-Contreras, Jorge Calvo-Zaragoza
Continual Learning for Music Classification 596-602[pdf] |
Silvan Peter, Gerhard Widmer
TheGlueNote: Learned Representations for Robust and Flexible Note Alignment 603-610[pdf] |
Xavier Riley, Zixun Guo, Andrew C. Edwards, Simon Dixon
GAPS: A Large and Diverse Classical Guitar Dataset and Benchmark Transcription Model 611-617[pdf] |
Hugo T. Carvalho, Min Susan Li, Massimiliano Di Luca, Alan M. Wing
A Kalman Filter Model for Synchronization in Musical Ensembles 618-624[pdf] |
Alain Riou, Stefan Lattner, Gaëtan Hadjeres, Michael Anslow, Geoffroy Peeters
Stem-JEPA: A Joint-Embedding Predictive Architecture for Musical Stem Compatibility Estimation 625-633[pdf] |
Fang Duo Tsai, Shih-Lun Wu, Haven Kim, Bo-Yu Chen, Hao-Chung Cheng, Yi-Hsuan Yang
Audio Prompt Adapter: Unleashing Music Editing Abilities for Text-to-Music With Lightweight Finetuning 634-641[pdf] |
Shangda Wu, Yashan Wang, Xiaobing Li, Feng Yu, Maosong Sun
MelodyT5: A Unified Score-to-Score Transformer for Symbolic Music Processing 642-650[pdf] |
Emmanouil Karystinaios, Gerhard Widmer
GraphMuse: A Library for Symbolic Music Graph Processing 651-658[pdf] |
Christian J. Steinmetz, Shubhr Singh, Marco Comunità, Ilias Ibnyahya, Shanxin Yuan, Emmanouil Benetos, Joshua D. Reiss
ST-ITO: Controlling Audio Effects for Style Transfer With Inference-Time Optimization 661-668[pdf] |
Qixin Deng, Qikai Yang, Ruibin Yuan, Yipeng Huang , Yi Wang, Xubo Liu, Zeyue Tian, Jiahao Pan, Ge Zhang, Hanfeng Lin, Yizhi Li, Yinghao Ma, Jie Fu, Chenghua Lin, Emmanouil Benetos, Wenwu Wang, Guangyu Xia, Wei Xue, Yike Guo
ComposerX: Multi-Agent Symbolic Music Composition With LLMs 669-679[pdf] |
Megan Wei, Michael Freeman, Chris Donahue, Chen Sun
Do Music Generation Models Encode Music Theory? 680-687[pdf] |
Silas Antonisen, Iván López-Espejo
PolySinger: Singing-Voice to Singing-Voice Translation From English to Japanese 688-696[pdf] |
Arthur Flexer
On the Validity of Employing ChatGPT for Distant Reading of Music Similarity 697-704[pdf] |
Venkatakrishnan Vaidyanathapuram Krishnan, Noel Alben, Anish A. Nair, Nathaniel Condit-Schultz
Sanidha: A Studio Quality Multi-Modal Dataset for Carnatic Music 705-712[pdf] |
Pedro Pereira Sarmento, Jackson J. Loth, Mathieu Barthet
Between the AI and Me: Analysing Listeners’ Perspectives on AI- and Human-Composed Progressive Metal Music 713-720[pdf] |
Nils Demerlé, Philippe Esling, Guillaume Doras, David Genova
Combining Audio Control and Style Transfer Using Latent Diffusion 721-728[pdf] |
Mequanent Argaw Muluneh, Yan-Tsung Peng, Li Su
Computational Analysis of Yaredawi YeZema Silt in Ethiopian Orthodox Tewahedo Church Chants 729-736[pdf] |
Ondřej Cífka, Hendrik Schreiber, Luke Miner, Fabian-Robert Stöter
Lyrics Transcription for Humans: A Readability-Aware Benchmark 737-744[pdf] |
Owen Green, Bob L. T. Sturm, Georgina Born, Melanie Wald-Fuhrmann
A Critical Survey of Research in Music Genre Recognition 745-782[pdf] |
Liwei Lin, Gus Xia, Junyan Jiang, Yixiao Zhang
Content-Based Controls for Music Large Language Modeling 783-790[pdf] |
Marcel A. Vélez Vásquez, Charlotte Pouw, John Ashley Burgoyne, Willem Zuidema
Exploring the Inner Mechanisms of Large Generative Music Models 791-798[pdf] |
Saebyul Park, Halla Kim, Jiye Jung, Juyong Park, Jeounghoon Kim, Juhan Nam
Quantitative Analysis of Melodic Similarity in Music Copyright Infringement Cases 799-806[pdf] |
Hendrik Vincent Koops, Gianluca Micchi, Elio Quinton
Robust Lossy Audio Compression Identification 807-813[pdf] |
Malcolm Sailor
RNBert: Fine-Tuning a Masked Language Model for Roman Numeral Analysis 814-821[pdf] |
Benno Weck, Ilaria Manco, Emmanouil Benetos, Elio Quinton, George Fazekas, Dmitry Bogdanov
MuChoMusic: Evaluating Music Understanding in Multimodal Audio-Language Models 825-833[pdf] |
Sujoy Roychowdhury, Preeti Rao, Sharat Chandran
Human Pose Estimation for Expressive Movement Descriptors in Vocal Musical Performances 834-841[pdf] |
Seokbeom Park, Hyunjae Kim, Kyung Myun Lee
Enhancing Predictive Models of Music Familiarity With EEG: Insights From Fans and Non-Fans of K-Pop Group NCT127 842-849[pdf] |
Robert Sowula, Peter Knees
Mosaikbox: Improving Fully Automatic DJ Mixing Through Rule-Based Stem Modification and Precise Beat-Grid Estimation 850-857[pdf] |
Jan Melechovsky, Abhinaba Roy, Dorien Herremans
MidiCaps: A Large-Scale MIDI Dataset With Text Captions 858-865[pdf] |
Stephen Ni-Hahn, Weihan Xu, Zirui Yin, Rico Zhu, Simon Mak, Yue Jiang, Cynthia Rudin
A New Dataset, Notation Software, and Representation for Computational Schenkerian Analysis 866-873[pdf] |
Zachary Novack, Julian McAuley, Taylor Berg-Kirkpatrick, Nicholas J. Bryan
DITTO-2: Distilled Diffusion Inference-Time T-Optimization for Music Generation 874-881[pdf] |
Christopher J. Tralie, Ben Cantil
The Concatenator: A Bayesian Approach to Real Time Concatenative Musaicing 882-889[pdf] |
Muhammad Taimoor Haseeb, Ahmad Hammoudeh, Gus Xia
Deep Recombinant Transformer: Enhancing Loop Compatibility in Digital Music Production 890-896[pdf] |
Yannis Vasilakis, Rachel Bittner, Johan Pauwels
I Can Listen but Cannot Read: An Evaluation of Two-Tower Multimodal Systems for Instrument Recognition 897-905[pdf] |
Weixing Wei, Jiahao Zhao, Yulun Wu, Kazuyoshi Yoshii
Streaming Piano Transcription Based on Consistent Onset and Offset Decoding With Sustain Pedal Detection 906-913[pdf] |
Juan Carlos Martinez-Sevilla, David Rizo, Jorge Calvo-Zaragoza
Towards Universal Optical Music Recognition: A Case Study on Notation Types 914-921[pdf] |
Mathias Rose Bjare, Stefan Lattner, Gerhard Widmer
Controlling Surprisal in Music Generation via Information Content Curve Matching 922-929[pdf] |
Guang Yang, Muru Zhang, Lin Qiu, Yanming Wan, Noah A. Smith
Toward a More Complete OMR Solution 930-937[pdf] |
Ilaria Manco, Justin Salamon, Oriol Nieto
Augment, Drop & Swap: Improving Diversity in LLM Captions for Efficient Music-Text Representation Learning 938-945[pdf] |
Seungheon Doh, Keunwoo Choi, Daeyong Kwon, Taesoo Kim, Juhan Nam
Music Discovery Dialogue Generation Using Human Intent Analysis and Large Language Models 946-953[pdf] |
Yuexuan Kong, Vincent Lostanlen, Gabriel Meseguer-Brocal, Stella Wong, Mathieu Lagrange, Romain Hennequin
STONE: Self-Supervised Tonality Estimator 954-961[pdf] |
Francesco Foscarin, Jan Schlüter, Gerhard Widmer
Beat This! Accurate Beat Tracking Without DBN Postprocessing 962-969[pdf] |
Yujia Yan, Zhiyao Duan
Scoring Time Intervals Using Non-Hierarchical Transformer for Automatic Piano Transcription 973-980[pdf] |
Julian Lenz, Anirudh Mani
PerTok: Expressive Encoding and Modeling of Symbolic Musical Ideas and Variations 981-988[pdf] |
Nathaniel Condit-Schultz
Looking for Tactus in All the Wrong Places: Statistical Inference of Metric Alignment in Rap Flow 989-995[pdf] |
Kun Fang, Ziyu Wang, Gus Xia, Ichiro Fujinaga
Exploring GPT’s Ability as a Judge in Music Understanding 996-1003[pdf] |
Roser Batlle-Roca, Wei-Hsiang Liao, Xavier Serra, Yuki Mitsufuji, Emilia Gómez
Towards Assessing Data Replication in Music Generation With Music Similarity Metrics on Raw Audio 1004-1011[pdf] |
Shahan Nercessian, Johannes Imort, Ninon Devis, Frederik Blang
Generating Sample-Based Musical Instruments Using Neural Audio Codec Language Models 1012-1019[pdf] |
Nithya Nadig Shikarpur, Krishna Maneesha Dendukuri, Yusong Wu, Antoine Caillon, Cheng-Zhi Anna Huang
Hierarchical Generative Modeling of Melodic Vocal Contours in Hindustani Classical Music 1020-1028[pdf] |
Haonan Chen, Jordan B. L. Smith, Janne Spijkervet, Ju-Chiang Wang, Pei Zou, Bochen Li, Qiuqiang Kong, Xingjian Du
SymPAC: Scalable Symbolic Music Generation With Prompts and Constraints 1029-1036[pdf] |
Giovanni Bindi, Philippe Esling
Unsupervised Composable Representations for Audio 1037-1045[pdf] |
Pavani B. Chowdary, Bhavyajeet Singh, Rajat Agarwal, Vinoo Alluri
Lyrically Speaking: Exploring the Link Between Lyrical Emotions, Themes and Depression Risk 1046-1050[pdf] |
Karn N. Watcharasupat, Alexander Lerch
A Stem-Agnostic Single-Decoder System for Music Source Separation Beyond Four Stems 1051-1059[pdf] |
Mickael Zehren, Marco Alunno, Paolo Bientinesi
In-Depth Performance Analysis of the ADTOF-Based Algorithm for Automatic Drum Transcription 1060-1067[pdf] |
Patricia Hu, Lukáš Samuel Marták, Carlos Eduardo Cancino-Chacón, Gerhard Widmer
Towards Musically Informed Evaluation of Piano Transcription Models 1068-1075[pdf] |
Tomoyasu Nakano, Masataka Goto
Using Item Response Theory to Aggregate Music Annotation Results of Multiple Annotators 1076-1084[pdf] |
Irmak Bukey, Michael Feffer, Chris Donahue
Just Label the Repeats for In-the-Wild Audio-to-Score Alignment 1085-1092[pdf] |
Lucas S. Maia, Richa Namballa, Martín Rocamora, Magdalena Fuentes, Carlos Guedes
Investigating Time-Line-Based Music Traditions With Field Recordings: A Case Study of Candomblé Bell Patterns 1093-1100[pdf] |
