Yixiao Zhang, Junyan Jiang, Gus Xia, Simon Dixon
Interpreting Song Lyrics with an Audio-Informed Pre-trained Language Model 19-26 [pdf] |
Tsung-Ping Chen, Li Su
Toward postprocessing-free neural networks for joint beat and downbeat estimation 27-35 [pdf] |
Matan Gover, Oded Zewi
Music Translation: Generating Piano Arrangements in Different Playing Levels 36-43 [pdf] |
Ian Simon, Joshua Gardner, Curtis Hawthorne, Ethan Manilow, Jesse Engel
Scaling Polyphonic Transcription with Mixtures of Monophonic Transcriptions 44-51 [pdf] |
Anup Singh, Kris Demuynck, Vipul Arora
Attention-based audio embeddings for query-by-example 52-58 [pdf] |
Otso Björklund
SIATEC-C: Computationally efficient repeated pattern discovery in polyphonic music 59-66 [pdf] |
Marcel A Vélez Vásquez, John Ashley Burgoyne
Tailed U-Net: Multi-Scale Music Representation Learning 67-75 [pdf] |
Da-Yi Wu, Wen-Yi Hsiao, Fu-Rong Yang, Oscar D Friedman, Warren Jackson, Scott Bruzenak, Yi-Wen Liu, Yi-Hsuan Yang
DDSP-based Singing Vocoders: A New Subtractive-based Synthesizer and A Comprehensive Evaluation 76-83 [pdf] |
Elio Quinton
Equivariant self-supervision for musical tempo estimation 84-92 [pdf] |
Yuqiang Li, Shengchen Li, George Fazekas
How Music features and Musical Data Representations Affect Objective Evaluation of Music Composition: A Review of CSMT Data Challenge 2020 93-99 [pdf] |
Eunjin Choi, Yoonjin Chung, Seolhee Lee, Jongik Jeon, Taegyun Kwon, Juhan Nam
YM2413-MDB: A Multi-Instrumental FM Video Game Music Dataset with Emotion Annotations 100-108 [pdf] |
Anil Venkatesh, Viren Sachdev
Detecting Symmetries of All Cardinalities With Application to Musical 12-Tone Rows 109-115 [pdf] |
Jaehun Kim, Cynthia C. S. Liem
The power of deep without going deep? A study of HDPGMM music representation learning 116-124 [pdf] |
Daiki Naruse, Tomoyuki Takahata, Yusuke Mukuta, Tatsuya Harada
Pop Music Generation with Controllable Phrase Lengths 125-131 [pdf] |
Yen-Tung Yeh, Yi-Hsuan Yang, Bo-Yu Chen
Exploiting Pre-trained Feature Networks for Generative Adversarial Networks in Audio-domain Loop Generation 132-140 [pdf] |
Daiyu Zhang, Ju-Chiang Wang, Katerina Kosta, Jordan B. L. Smith, Shicen Zhou
Modeling the rhythm from lyrics for melody generation of pop songs 141-148 [pdf] |
Simeon Rau, Frank Heyen, Stefan Wagner, Michael Sedlmair
Visualization for AI-Assisted Composing 151-159 [pdf] |
Ellie Bean Abrams, Eva Muñoz Vidal, Claire Pelofi, Pablo Ripollés
Retrieving musical information from neural data: how cognitive features enrich acoustic ones 160-168 [pdf] |
Jingwei Zhao, Gus Xia, Ye Wang
Beat Transformer: Demixed Beat and Downbeat Tracking with Dilated Self-Attention 169-177 [pdf] |
Seungyeon Rhyu, Sarah Kim, Kyogu Lee
Sketching the Expression: Flexible Rendering of Expressive Piano Performance with Self-Supervised Learning 178-185 [pdf] |
Karim M. Ibrahim, Elena V. Epure, Geoffroy Peeters, Gaël Richard
Exploiting Device and Audio Data to Tag Music with User-Aware Listening Contexts 186-192 [pdf] |
Yueh-Kao Wu, Ching-Yu Chiu, Yi-Hsuan Yang
Jukedrummer: Conditional Beat-aware Audio-domain Drum Accompaniment Generation via Transformer VQ-VAE 193-200 [pdf] |
Junyan Jiang, Daniel Chin, Yixiao Zhang, Gus Xia
Learning Hierarchical Metrical Structure Beyond Measures 201-209 [pdf] |
Francisco C. F. Almeida, Gilberto Bernardes, Christof Weiss
Mid-level Harmonic Audio Features for Musical Style Classification 210-217 [pdf] |
Johannes Imort, Giorgio Fabbro, Marco A Martinez Ramirez, Stefan Uhlich, Yuichiro Koyama, Yuki Mitsufuji
Distortion Audio Effects: Learning How to Recover the Clean Signal 218-225 [pdf] |
Antonio Ríos-Vila, Jose M. Inesta, Jorge Calvo-Zaragoza
End-to-End Full-Page Optical Music Recognition for Mensural Notation 226-232 [pdf] |
Bruno Di Giorgi, Mark Levy, Richard Sharp
Mel Spectrogram Inversion with Stable Pitch 233-239 [pdf] |
Xingjian Du, Huidong Liang, Yuan Wan, Yuheng Lin, Ke Chen, Bilei Zhu, Zejun Ma
Latent feature augmentation for chorus detection 240-247 [pdf] |
Li Yi, Haochen Hu, Jingwei Zhao, Gus Xia
AccoMontage2: A Complete Harmonization and Accompaniment Arrangement System 248-255 [pdf] |
Matthew C Mccallum, Filip Korzeniowski, Sergio Oramas, Fabien Gouyon, Andreas Ehmann
Supervised and Unsupervised Learning of Audio Representations for Music Understanding 256-263 [pdf] |
Rishabh A Dahale, Vaibhav Vinayak Talwadker, Preeti Rao, Prateek Verma
Generating Coherent Drum Accompaniment with Fills and Improvisations 264-271 [pdf] |
Alia Morsi, Xavier Serra
Bottlenecks and solutions for audio to score alignment research 272-279 [pdf] |
Martin Clayton, Preeti Rao, Nithya Shikarpur, Sujoy Roychowdhury, Jin Li
Raga Classification From Vocal Performances Using Multimodal Analysis 283-290 [pdf] |
Oleg Lesota, Emilia Parada-Cabaleiro, Stefan Brandl, Elisabeth Lex, Navid Rekabsaz, Markus Schedl
Traces of Globalization in Online Music Consumption Patterns and Results of Recommendation Algorithms 291-297 [pdf] |
Kongmeng Liew, Vipul Mishra, Yangyang Zhou, Elena V. Epure, Romain Hennequin, Shoko Wakamiya, Eiji Aramaki
Network Analyses for Cross-Cultural Music Popularity 298-305 [pdf] |
Polykarpos Polykarpidis, Dionysios Kalofonos, Dimitrios Balageorgos, Christina Anagnostopoulou
Three related corpora in Middle Byzantine music notation and a preliminary comparative analysis 306-313 [pdf] |
Dichucheng Li, Yulun Wu, Qinyu Li, Jiahao Zhao, Yi Yu, Fan Xia, Wei Li
Playing Technique Detection by Fusing Note Onset Information in Guzheng Performance 314-320 [pdf] |
Babak Nikzat, Rafael Caro Repetto
KDC: an open corpus for computational research of dastgāhi music 321-328 [pdf] |
Ke Nie
Inaccurate Prediction or Genre Evolution? Rethinking Genre Classification 329-336 [pdf] |
Thomas Nuttall, Genís Plaja-Roglans, Lara Pearson, Xavier Serra
In Search of Sañcāras: Tradition-informed Repeated Melodic Pattern Recognition in Carnatic Music 337-344 [pdf] |
Zhaowen Wang, Mingjin Che, Yue Yang, Wen Wu Meng, Qinyu Li, Fan Xia, Wei Li
Automatic Chinese National Pentatonic Modes Recognition Using Convolutional Neural Network 345-352 [pdf] |
David Gillman, Atalay Kutlay, Uday Goyat
Teach Yourself Georgian Folk Songs Dataset: A Annotated Corpus Of Traditional Vocal Polyphony 353-360 [pdf] |
Lucas S Maia, Martín Rocamora, Luiz W P Biscainho, Magdalena Fuentes
Adapting meter tracking models to Latin American music 361-368 [pdf] |
Kaustuv Kanti Ganguli, Sertan Şentürk, Carlos Guedes
Critiquing Task- versus Goal-oriented Approaches: A Case for Makam Recognition 369-376 [pdf] |
Charilaos Papaioannou, Ioannis Valiantzas, Theodore Giannakopoulos, Maximos Kaliakatsos-Papakostas, Alexandros Potamianos
A Dataset for Greek Traditional and Folk Music: Lyra 377-383 [pdf] |
Yuya Yamamoto, Juhan Nam, Hiroko Terasawa
Analysis and detection of singing techniques in repertoires of J-POP solo singers 384-391 [pdf] |
Lele Liu, Qiuqiang Kong, Veronica Morfi, Emmanouil Benetos
Performance MIDI-to-score conversion by neural beat tracking 395-402 [pdf] |
Sangjun Han, Hyeongrae Ihm, Moontae Lee, Woohyung Lim
Symbolic Music Loop Generation with Neural Discrete Representations 403-410 [pdf] |
Marco A Martinez Ramirez, Weihsiang Liao, Chihiro Nagashima, Giorgio Fabbro, Stefan Uhlich, Yuki Mitsufuji
Automatic music mixing with deep learning and out-of-domain data 411-418 [pdf] |
Mahshid Alinoori, Vassilios Tzerpos
Music-STAR: a Style Translation system for Audio-based Re-instrumentation 419-426 [pdf] |
Darius Afchar, Romain Hennequin, Vincent Guigue
Learning Unsupervised Hierarchies of Audio Concepts 427-436 [pdf] |
Massimo Quadrana, Antoine Larreche-Mouly, Matthias Mauch
Multi-objective Hyper-parameter Optimization of Behavioral Song Embeddings 437-445 [pdf] |
Huan Zhang, Jingjing Tang, Syed Rm Rafee, Simon Dixon, George Fazekas, Geraint A. Wiggins
ATEPP: A Dataset of Automatically Transcribed Expressive Piano Performance 446-453 [pdf] |
Chen Zhang, Jiaxing Yu, Luchin Chang, Xu Tan, Jiawei Chen, Tao Qin, Kejun Zhang
PDAugment: Data Augmentation by Pitch and Duration Adjustments for Automatic Lyrics Transcription 454-461 [pdf] |
Chitralekha Gupta, Yize Wei, Zequn Gong, Purnima Kamath, Zhuoyao Li, Lonce Wyse
Parameter Sensitivity of Deep-Feature based Evaluation Metrics for Audio Textures 462-468 [pdf] |
Igor Vatolkin, Cory Mckay
Stability of Symbolic Feature Group Importance in the Context of Multi-Modal Music Classification 469-476 [pdf] |
Franca Bittner, Marcel Gonzalez, Maike L Richter, Hanna Lukashevich, Jakob Abeßer
Multi-pitch Estimation meets Microphone Mismatch: Applicability of Domain Adaptation 477-484 [pdf] |
Chris Donahue, John Thickstun, Percy Liang
Melody transcription via generative pre-training 485-492 [pdf] |
Yigitcan Özer, Meinard Müller
Source Separation of Piano Concertos with Test-Time Adaptation 493-500 [pdf] |
Martha E Thomae Elias, Julie Cumming, Ichiro Fujinaga
Counterpoint Error-Detection Tools for Optical Music Recognition of Renaissance Polyphonic Music 501-508 [pdf] |
Louis Couturier, Louis Bigo, Florence Leve
A Dataset of Symbolic Texture Annotations in Mozart Piano Sonatas 509-516 [pdf] |
Nazif Can Tamer, Pedro Ramoneda, Xavier Serra
Violin Etudes: A Comprehensive Dataset for f0 Estimation and Performance Analysis 517-524 [pdf] |
Nikita Srivatsan, Taylor Berg-Kirkpatrick
Checklist Models for Improved Output Fluency in Piano Fingering Prediction 525-531 [pdf] |
Jaidev Shriram, Makarand Tapaswi, Vinoo Alluri
Sonus Texere! Automated Dense Soundtrack Construction for Books using Movie Adaptations 535-542 [pdf] |
Marco Pasini, Jan Schlüter
Musika! Fast Infinite Waveform Music Generation 543-550 [pdf] |
Jiafeng Liu, Yuanliang Dong, Zehua Cheng, Xinran Zhang, Xiaobing Li, Feng Yu, Maosong Sun
Symphony Generation with Permutation Invariant Language Model 551-558 [pdf] |
Qingqing Huang, Aren Jansen, Joonseok Lee, Ravi Ganti, Judith Yue Li, Daniel P W Ellis
MuLan: A Joint Embedding of Music Audio and Natural Language 559-566 [pdf] |
Peiling Lu, Xu Tan, Botao Yu, Tao Qin, Sheng Zhao, Tie-Yan Liu
MeloForm: Generating Melody with Musical Form based on Expert Systems and Neural Networks 567-574 [pdf] |
Chang-Bin Jeon, Kyogu Lee
Towards robust music source separation on loud commercial music 575-582 [pdf] |
Michael Zhou, Andrew Mcgraw, Douglas R Turnbull
Towards Quantifying the Strength of Music Scenes Using Live Event Data 583-590 [pdf] |
Morgan Buisson, Brian Mcfee, Slim Essid, Hélène C. Crayencour Crayencour
Learning Multi-Level Representations for Hierarchical Music Structure Analysis. 591-597 [pdf] |
Curtis Hawthorne, Ian Simon, Adam Roberts, Neil Zeghidour, Joshua Gardner, Ethan Manilow, Jesse Engel
Multi-instrument Music Synthesis with Spectrogram Diffusion 598-607 [pdf] |
Franco Caspe, Andrew Mcpherson, Mark Sandler
DDX7: Differentiable FM Synthesis of Musical Instrument Sounds 608-616 [pdf] |
Mojtaba Heydari, Zhiyao Duan
Singing beat tracking with Self-supervised front-end and linear transformers 617-624 [pdf] |
Saurjya Sarkar, Emmanouil Benetos, Mark Sandler
EnsembleSet: a new high quality synthesised dataset for chamber ensemble separation 625-632 [pdf] |
Tengyu Deng, Eita Nakamura, Kazuyoshi Yoshii
End-to-End Lyrics Transcription Informed by Pitch and Onset Estimation 633-639 [pdf] |
Ilaria Manco, Emmanouil Benetos, Elio Quinton, George Fazekas
Contrastive Audio-Language Learning for Music 640-649 [pdf] |
Dmitry Bogdanov, Xavier Lizarraga-Seijas, Pablo Alonso-Jiménez, Xavier Serra
MusAV: A dataset of relative arousal-valence annotations for validation of audio models 650-658 [pdf] |
Shuqi Dai, Huiran Yu, Roger B Dannenberg
What is missing in deep music generation? A study of repetition and structure in popular music 659-666 [pdf] |
Angelo Cesar Mendes Da Silva, Diego F Silva, Ricardo Marcondes Marcacini
Heterogeneous Graph Neural Network for Music Emotion Recognition 667-674 [pdf] |
Mathilde Abrassart, Guillaume Doras
And what if two musical versions don’t share melody, harmony, rhythm, or lyrics ? 677-684 [pdf] |
Genís Plaja-Roglans, Marius Miron, Xavier Serra
A diffusion-inspired training strategy for singing voice extraction in the waveform domain 685-693 [pdf] |
Romain Loiseau, Baptiste Bouvier, Yann Teytaut, Elliot Vincent, Mathieu Aubry, Loic Landrieu
A Model You Can Hear: Audio Identification with Playable Prototypes 694-700 [pdf] |
Marcos Acosta, Irmak Bukey, T J Tsai
An Exploration of Generating Sheet Music Images 701-708 [pdf] |
Weixing Wei, Peilin Li, Yi Yu, Wei Li
HPPNet: Modeling the Harmonic Structure and Pitch Invariance in Piano Transcription 709-716 [pdf] |
Pedro L T Neves, José Fornari, João B Florindo
Generating music with sentiment using Transformer-GANs 717-725 [pdf] |
Ke Chen, Hao-Wen Dong, Yi Luo, Julian Mcauley, Taylor Berg-Kirkpatrick, Miller Puckette, Shlomo Dubnov
Improving Choral Music Separation through Expressive Synthesized Data from Sampled Instruments 726-732 [pdf] |
Kyungyun Lee, Gladys Hitt, Emily Terada, Jin Ha Lee
Ethics of Singing Voice Synthesis: Perceptions of Users and Developers 733-740 [pdf] |
Takuya Takahashi, Mathieu Barthet
Emotion-driven Harmonisation And Tempo Arrangement of Melodies Using Transfer Learning 741-748 [pdf] |
Yigitcan Özer, Matej Ištvánek, Vlora Arifi-Müller, Meinard Müller
Using Activation Functions for Improving Measure-Level Audio Synchronization 749-755 [pdf] |
Katerina Kosta, Wei Tsung Lu, Gabriele Medeot, Pierre Chanquion
A deep learning method for melody extraction from a polyphonic symbolic music representation 756-763 [pdf] |
Peter Knees, Bruce Ferwerda, Andreas Rauber, Sebastian Strumbelj, Annabel Resch, Laurenz Tomandl, Valentin Bauer, Fung Yee Tang, Josip Bobinac, Amila Ceranic, Riad Dizdar
A Reproducibility Study on User-centric MIR Research and Why it is Important 764-771 [pdf] |
Noah Schaffer, Boaz Cogan, Ethan Manilow, Max Morrison, Prem Seetharaman, Bryan Pardo
Music Separation Enhancement with Generative Modeling 772-780 [pdf] |
Stefan Lattner
SampleMatch: Drum Sample Retrieval by Musical Context 781-788 [pdf] |
Timothy De Reuse, Ichiro Fujinaga
A Transformer-Based “Spellchecker” for Detecting Errors in OMR Output 789-796 [pdf] |
Vjosa Preniqi, Kyriaki Kalimeri, Charalampos Saitis
“More than words”: Linking Music Preferences and Moral Values through Lyrics 797-805 [pdf] |
Jui-Te Wu, Jun-You Wang, Jyh-Shing Roger Jang, Li Su
A unified model for zero-shot singing voice conversion and synthesis 809-816 [pdf] |
Stewart Greenhill, Majid Abdolshah, Vuong Le, Sunil Gupta, Svetha Venkatesh
Semantic Control of Generative Musical Attributes 817-824 [pdf] |
Pablo Alonso-Jiménez, Xavier Serra, Dmitry Bogdanov
Music Representation Learning Based on Editorial Metadata from Discogs 825-833 [pdf] |
Chih-Pin Tan, Alvin W Y Su, Yi-Hsuan Yang
Melody Infilling with User-Provided Structural Context 834-841 [pdf] |
Xichu Ma, Xiao Liu, Bowen Zhang, Ye Wang
Robust Melody Track Identification in Symbolic Music 842-849 [pdf] |
Florian Thalmann, Eita Nakamura, Kazuyoshi Yoshii
Tracking the Evolution of a Band’s Live Performances over Decades 850-857 [pdf] |
Ashvala Vinay, Alexander Lerch
Evaluating Generative Audio Systems and Their Metrics 858-865 [pdf] |
Alison B Ma, Alexander Lerch
Representation Learning for the Automatic Indexing of Sound Effects Libraries 866-875 [pdf] |
Francesco Foscarin, Katharina Hoedt, Verena Praher, Arthur Flexer, Gerhard Widmer
Concept-Based Techniques for “Musicologist-Friendly” Explanations in Deep Music Classifiers 876-883 [pdf] |
Maximilian Mayerl, Stefan Brandl, Günther Specht, Markus Schedl, Eva Zangerle
Verse versus Chorus: Structure-aware Feature Extraction for Lyrics-based Genre Recognition 884-890 [pdf] |
Longshen Ou, Xiangming Gu, Ye Wang
Transfer Learning of wav2vec 2.0 for Automatic Lyric Transcription 891-899 [pdf] |
Daniel Szelogowski, Lopamudra Mukherjee, Benjamin Whitcomb
A Novel Dataset and Deep Learning Benchmark for Classical Music Form Recognition and Analysis 900-907 [pdf] |
Guillem Cortès, Alex Ciurana, Emilio Molina, Marius Miron, Owen Meyers, Joren Six, Xavier Serra
BAF: An audio fingerprinting dataset for broadcast monitoring 908-916 [pdf] |
Emmanouil Karystinaios, Gerhard Widmer
Cadence Detection in Symbolic Classical Music using Graph Neural Networks. 917-924 [pdf] |
Jingwei Zhao, Gus Xia, Ye Wang
Domain Adversarial Training on Conditional Variational Auto-Encoder for Controllable Music Generation 925-932 [pdf] |
Yang Qu, Yutian Qin, Lecheng Chao, Hangkai Qian, Ziyu Wang, Gus Xia
Modeling perceptual loudness of piano tone: theory and applications 933-940 [pdf] |
Maximilian Damböck, Richard Vogl, Peter Knees
On the Impact and Interplay of Input Representations and Network Architectures for Automatic Music Tagging 941-948 [pdf] |
