Go Shibata, Ryo Nishikimi, Kazuyoshi Yoshii
Music Structure Analysis Based on an LSTM-HSMM Hybrid Model 23-29 [pdf] |
Keitaro Tanaka, Takayuki Nakatsuka, Ryo Nishikimi, Kazuyoshi Yoshii, Shigeo Morishima
Multi-Instrument Music Transcription Based on Deep Spherical Clustering of Spectrograms and Pitchgrams 327-334 [pdf] |
Omar A Peracha
Improving Polyphonic Music Models with Feature-rich Encoding 169-175 [pdf] |
Brian Manolovitz, Mitsunori Ogihara
Practical Evaluation of Repeated Recommendations in Personalized Music Discovery 633-639 [pdf] |
Hendrik Schreiber, Frank Zalkow, Meinard Müller
Modeling and Estimating Local Tempo: A Case Study on Chopin’s Mazurkas 773-779 [pdf] |
Michael Krause, Frank Zalkow, Christof Weiss, Meinard Müller
Classifying Leitmotifs in Recordings of Operas by Richard Wagner 473-480 [pdf] |
Timothy Tsai, Kevin Ji
Composer Style Classification of Piano Sheet Music Images Using Language Model Pretraining 176-183 [pdf] |
Frank Zalkow, Meinard Müller
Using Weakly Aligned Score-Audio Pairs to Train Deep Chroma Models for Cross-Modal Music Retrieval 184-191 [pdf] |
Daniel Yang, Timothy Tsai
Camera-Based Piano Sheet Music Identification 481-488 [pdf] |
Louis Spinelli, Josephine Lau, Jin Ha Lee
User Perceptions Underlying Social Music Behavior 489-496 [pdf] |
Yuchen Yuan, Sho Oishi, Charles Cronin, Daniel Müllensiefen, Quentin Atkinson, Shinya Fujii, Patrick E. Savage
Perceptual vs. automated judgements of music copyright infringement 23-29 [pdf] |
Claire Savard, Erin H. Bugbee, Melissa R. McGuirl, Katherine M. Kinnaird
SuPP & MaPP: Adaptable Structure-Based Representations for MIR Tasks 335-342 [pdf] |
Yaolong Ju, Sylvain Margot, Cory McKay, Luke Dahn, Ichiro Fujinaga
Automatic Figured Bass Annotation Using the New Bach Chorales Figured Bass Dataset 640-646 [pdf] |
Phillip B. Kirlin
A corpus-based analysis of syncopated patterns in ragtime 647-653 [pdf] |
Florian Thalmann, Kazuyoshi Yoshii, Thomas Wilmering, Wiggins Geraint, Mark B. Sandler
A Method for Analysis of Shared Structure in Large Music Collections using Techniques from Genetic Sequencing and Graph Theory 343-350 [pdf] |
Woosung Choi, Minseok Kim, Jaehwa Chung, Daewon Lee, Soonyoung Jung
Investigating U-Nets with various Intermediate Blocks for Spectrogram-based Singing Voice Separation 192-198 [pdf] |
Matevž Pesek, Lovro Suhadolnik, Peter Šavli, Matija Marolt
The Rhythmic Dictator: Does Gamification of Rhythm Dictation Exercises Help? 497-503 [pdf] |
Florian Henkel, Rainer Kelz, Gerhard Widmer
Learning to Read and Follow Music in Complete Score Sheet Images 780-787 [pdf] |
Yunpeng Li, Marco Tagliasacchi, Beat Gfeller, Dominik Roblek
Learning to Denoise Historical Music 504-511 [pdf] |
Christof Weiss, Stephanie Klauk, Mark R H Gotham, Meinard Müller, Rainer Kleinertz
Discourse not Dualism: An Interdisciplinary Dialogue on Sonata Form in Beethoven’s Early Piano Sonatas 199-206 [pdf] |
Jennifer Thom, Angela Nazarian, Ruth Brillman, Henriette Cramer, Sarah Mennicken
Play Music: User Motivations and Expectations for Non-Specific Voice Queries 654-661 [pdf] |
Felipe V Falcão, Nazareno Andrade, Flavio Figueiredo, Diego Furtado Silva, Fabio Morais
Measuring disruption in song similarity networks 30-37 [pdf] |
Axel Marmoret, Jeremy Cohen, Frédéric Bimbot, Nancy Bertin
Uncovering audio patterns in music with Nonnegative Tucker Decomposition for structural segmentation 788-794 [pdf] |
Daniel Harasim, Christoph Finkensiep, Petter Ericson, Timothy J. O’Donnell, Martin Rohrmeier
The Jazz Harmony Treebank 207-215 [pdf] |
Kento Watanabe, Masataka Goto
A Chorus-Section Detection Method for Lyrics Text 351-359 [pdf] |
Ziyu Wang, Ke Chen, Junyan Jiang, Yiyi Zhang, Maoran Xu, Shuqi Dai, Gus Xia
POP909: A Pop-Song Dataset for Music Arrangement Generation 38-45 [pdf] |
Tsung-Ping Chen, Satoru Fukayama, Masataka Goto, Li Su
Chord Jazzification: Learning Jazz Interpretations of Chord Symbols 360-367 [pdf] |
Ziyu Wang, Dingsu Wang, Yixiao Zhang, Gus Xia
Learning Interpretable Representation for Controllable Polyphonic Music Generation 662-669 [pdf] |
Taketo Akama
Connective Fusion: Learning Transformational Joining of Sequences with Application to Melody Creation 46-53 [pdf] |
Ziyu Wang, Yiyi Zhang, Yixiao Zhang, Junyan Jiang, Ruihan Yang, Gus Xia, Junbo Zhao
PIANOTREE VAE: Structured Representation Learning for Polyphonic Music 368-375 [pdf] |
Yudhik Agrawal, Samyak Jain, Emily Carlson, Petri Toiviainen, Vinoo Alluri
Towards Multimodal MIR: Predicting individual differences from music-induced movement 54-61 [pdf] |
Lisa Kawai, Philippe Esling, Tatsuya Harada
Attributes-Aware Deep Music Transformation 670-677 [pdf] |
Andrea Vaglio, Romain Hennequin, Manuel Moussallam, Gaël Richard, Florence d’Alché-Buc
Multilingual lyrics-to-audio alignment 512-519 [pdf] |
Ethan Manilow, Gordon Wichern, Jonathan LeRoux
Hierarchical Musical Instrument Separation 376-383 [pdf] |
Rohit M A, Vinutha T P, Preeti Rao
Structural Segmentation of Dhrupad Vocal Bandish Audio based on Tempo 678-684 [pdf] |
Matthew Davies, Magdalena Fuentes, João Fonseca, Luis Aly, Marco Jerónimo, Filippo Bonini Baraldi
Moving in Time: Computational Analysis of Microtiming in Maracatu de Baque Solto 795-802 [pdf] |
Elena V. Epure, Guillaume Salha, Romain Hennequin
Multilingual Music Genre Embeddings for Effective Cross-Lingual Music Item Annotation 803-810 [pdf] |
Robert Lieck, Martin Rohrmeier
Modelling Hierarchical Key Structure With Pitch Scapes 811-818 [pdf] |
Christoph Finkensiep, Ken Déguernel, Markus Neuwirth, Martin Rohrmeier
Voice-Leading Schema Recognition Using Rhythm and Pitch Features 520-526 [pdf] |
Ayush Patwari, Nicholas Kong, Jun Wang, Ullas Gargi, Michele Covell, Aren Jansen
Semantically Meaningful Attributes from Co-Listen Embeddings for Playlist Exploration and Expansion 527-533 [pdf] |
Bruno Di Giorgi, Matthias Mauch, Mark Levy
Downbeat Tracking with Tempo Invariant Convolutional Neural Networks 216-222 [pdf] |
Francesco Foscarin, Andrew McLeod, Philippe Rigaux, Florent Jacquemard, Masahiko Sakai
ASAP: a dataset of aligned scores and performances for piano transcription 534-541 [pdf] |
Aayush Surana, Yash Goyal, Manish Shrivastava, Suvi H. Saarikallio, Vinoo Alluri
Tag2Risk: Harnessing Social Music Tags for Characterizing Depression Risk 384-391 [pdf] |
Gabriel Meseguer Brocal, Geoffroy Peeters
Content based singing voice source separation via strong conditioning using aligned phonemes 819-827 [pdf] |
Shunit Haviv Hakimi, Nadav Bhonker, Ran El-Yaniv
BebopNet: Deep Neural Models for Personalized Jazz Improvisations 828-836 [pdf] |
Arianne N. van Nieuwenhuijsen, John Ashley Burgoyne, Frans Wiering, Mick Sneekes
A Simple Method for User-Driven Music Thumbnailing 223-230 [pdf] |
Jada E. Watson
Programming Inequality: Gender Representation on Canadian Country Radio (2005-2019) 392-399 [pdf] |
Matan Gover, Philippe Depalle
Score-Informed Source Separation of Choral Music 231-239 [pdf] |
Cynthia C. S. Liem, Chris Mostert
Can’t trust the feeling? How open data reveals unexpected behavior of high-level music descriptors 240-247 [pdf] |
Mengyi Shan, Timothy Tsai
Improved Handling of Repeats and Jumps in Audio–Sheet Image Synchronization 62-69 [pdf] |
Shahan Nercessian
Zero-Shot Singing Voice Conversion 70-76 [pdf] |
Fabrizio Pedersoli, Masataka Goto
Dance Beat Tracking from Visual Information Alone 400-408 [pdf] |
Ke Chen, Cheng-i Wang, Taylor Berg-Kirkpatrick, Shlomo Dubnov
Music SketchNet: Controllable Music Generation via Factorized Representations of Pitch and Rhythm 77-84 [pdf] |
Jin Ha Lee, Anh Thu Nguyen
How Music Fans Shape Commercial Music Services: A Case Study of BTS and ARMY 837-845 [pdf] |
Avriel C. Epps-Darling, Henriette Cramer, Romain Takeo Bouyer
Artist gender representation in music streaming 248-254 [pdf] |
Filip Korzeniowski, Oriol Nieto, Matthew McCallum, Minz Won, Sergio Oramas, Erik Schmidt
Mood Classification Using Listening Data 542-549 [pdf] |
Chang-Bin Jeon, Hyeong-Seok Choi, Kyogu Lee
Exploring Aligned Lyrics-informed Singing Voice Separation 685-692 [pdf] |
Estefanía Cano, Fernando Mora Ángel, Gustavo Adolfo López Gil, José Ricardo Zapata, Antonio Escamilla, Juan Fernando Alzate Londoño, Moises Betancur Peláez
Sesquialtera in the Colombian bambuco: Perception and estimation of beat and meter 409-415 [pdf] |
Yu-Fen Huang, Jeng-I Liang, I-Chieh Wei, Li Su
Joint analysis of mode and playing technique in Guqin performance with machine learning 85-92 [pdf] |
Yucong Jiang
Score following with hidden tempo using a switching state-space model 693-699 [pdf] |
Sangeun Kum, Jing-Hua Lin, Li Su, Juhan Nam
Semi-supervised learning using teacher-student models for vocal melody extraction 93-100 [pdf] |
Yin-Jyun Luo, Kin Wai Cheuk, Tomoyasu Nakano, Masataka Goto, Dorien Herremans
Unsupervised Disentanglement of Pitch and Timbre for Isolated Musical Instrument Sounds 700-707 [pdf] |
Chitralekha Gupta, Lin Huang, Haizhou Li
Automatic Rank-Ordering of Singing Vocals with Twin-Neural Network 416-423 [pdf] |
Cheng-Zhi Anna Huang, Hendrik Vincent Koops, Ed Newton-Rex, Monica Dinculescu, Carrie Cai
Human-AI Co-Creation in Songwriting 708-716 [pdf] |
Kosetsu Tsukuda, Masataka Goto
Analysis of Song/Artist Latent Features and Its Application for Song Search 717-725 [pdf] |
Andrew McLeod, James Owers, Kazuyoshi Yoshii
The MIDI Degradation Toolkit: Symbolic Music Augmentation and Correction 846-852 [pdf] |
Hao-Wen Dong, Ke Chen, Julian McAuley, Taylor Berg-Kirkpatrick
MusPy: A Toolkit for Symbolic Music Generation 101-108 [pdf] |
Philippe Esling, Théis Bazin, Adrien Bitton, Tristan J. J. Carsault, Ninon Devis
Ultra-light deep MIR by trimming lottery tickets 550-557 [pdf] |
Gabriel Meseguer Brocal, Rachel Bittner, Simon Durand, Brian Brost
Data Cleansing with Contrastive Learning for Vocal Note Event Annotations 255-262 [pdf] |
Juan S. Gómez-Cañon, Estefanía Cano, Perfecto Herrera, Emilia Gómez
Joyful for you and tender for us: the influence of individual characteristics and language on emotion labeling and classification 853-860 [pdf] |
Francisco J. Castellanos, Jorge Calvo-Zaragoza, Jose M. Inesta
A Neural Approach for Full-Page Optical Music Recognition of Mensural Documents 558-565 [pdf] |
Fred Bruford, Olivier Lartillot, SKoT McDonald, Mark B. Sandler
Multidimensional similarity modelling of complex drum loops using the GrooveToolbox 263-270 [pdf] |
André Ofner, Sebastian Stober
Modeling perception with hierarchical prediction: Auditory segmentation with deep predictive coding locates candidate evoked potentials in EEG 566-573 [pdf] |
Hao Hao Tan, Dorien Herremans
Music FaderNets: Controllable Music Generation Based On High-Level Features via Low-Level Feature Modelling 109-116 [pdf] |
Sebastian Böck, Matthew Davies
Deconstruct, Analyse, Reconstruct: How to improve Tempo, Beat, and Downbeat Estimation 574-582 [pdf] |
Bo-Yu Chen, Jordan B. L. Smith, Yi-Hsuan Yang
Neural Loop Combiner: Neural Network Models for Assessing the Compatibility of Loops 424-431 [pdf] |
Peter Van Kranenburg
Rule Mining for Local Boundary Detection in Melodies 271-278 [pdf] |
Jaehun Kim, Andrew M. Demetriou, Sandy Manolios, M. Stella Tavella, Cynthia C. S. Liem
Butter Lyrics Over Hominy Grit: Comparing Audio and Psychology-Based Text Features in MIR Tasks 861-868 [pdf] |
Bas Cornelissen, Willem Zuidema, John Ashley Burgoyne
Mode classification and natural units in plainchant 869-875 [pdf] |
Jacob deGroot-Maggetti, Timothy R de Reuse, Laurent Feisthauer, Samuel Howes, Yaolong Ju, Suzuka Kokubu, Sylvain Margot, Néstor Nápoles López, Finn Upham
Data Quality Matters: Iterative Corrections on a Corpus of Mendelssohn String Quartets and Implications for MIR Analysis 432-438 [pdf] |
Luca Angioloni, Valentijn Borghuis, Lorenzo Brusci, Paolo Frasconi
CONLON: A Pseudo-Song Generator Based on a New Pianoroll, Wasserstein Autoencoders, and Optimal Interpolations 876-883 [pdf] |
Guillaume Doras, Furkan Yesiler, Joan Serra, Emilia Gómez, Geoffroy Peeters
Combining musical features for cover detection 279-286 [pdf] |
Antonio Ramires, Frederic Font, Dmitry Bogdanov, Jordan B. L. Smith, Yi-Hsuan Yang, Joann Ching, Bo-Yu Chen, Yueh-Kao Wu, Hsu Wei-Han, Xavier Serra
The Freesound Loop Dataset and Annotation Tool 287-294 [pdf] |
Furkan Yesiler, Joan Serra, Emilia Gómez
Less is more: Faster and better music version identification with embedding distillation 884-892 [pdf] |
Karim M. Ibrahim, Elena V. Epure, Geoffroy Peeters, Gaël Richard
Should we consider the users in contextual music auto-tagging models? 295-301 [pdf] |
Derek S. Cheng, Thorsten Joachims, Douglas Turnbull
Exploring Acoustic Similarity for Novel Music Recommendation 583-589 [pdf] |
Wayne Chi, Prachi Kumar, Suri Yaddanapudi, Suresh Rahul, Umut Isik
Generating Music with a Self-Correcting Non-Chronological Autoregressive Model 893-900 [pdf] |
Helena Cuesta, Brian McFee, Emilia Gómez
Multiple F0 Estimation in Vocal Ensembles using Convolutional Neural Networks 302-309 [pdf] |
Javier Nistal, Stefan Lattner, Gaël Richard
DRUMGAN: SYNTHESIS OF DRUM SOUNDS WITH TIMBRAL FEATURE CONDITIONING USING GENERATIVE ADVERSARIAL NETWORKS 590-597 [pdf] |
Ioannis Petros Samiotis, Sihang Qiu, Andrea Mauri, Cynthia C. S. Liem, Christoph Lofi, Alessandro Bozzon
Microtask Crowdsourcing for Music Score Transcriptions: An Experiment with Error Detection 901-907 [pdf] |
Pritish Chandna, Helena Cuesta, Emilia Gómez
A Deep Learning Based Analysis-Synthesis Framework For Unison Singing 598-604 [pdf] |
Albin Correya, Dmitry Bogdanov, Luis Joglar-Ongay, Xavier Serra
Essentia.js: A JavaScript Library for Music and Audio Analysis on the Web 605-612 [pdf] |
Gabriel Oliveira, Mariana Santos, Danilo B. Seufitelli, Anisio Lacerda, Mirella M. Moro
Detecting Collaboration Profiles in Success-based Music Genre Networks 726-732 [pdf] |
Darius Petermann, Pritish Chandna, Helena Cuesta, Jordi Bonada, Emilia Gómez
Deep Learning Based Source Separation Applied To Choir Ensembles 733-739 [pdf] |
Carlos Eduardo Cancino-Chacón, Silvan Peter, Shreyan Chowdhury, Anna Aljanaki, Gerhard Widmer
On the Characterization of Expressive Performance in Classical Music: First Results of the Con Espressione Game 613-620 [pdf] |
Yu Wang, Justin Salamon, Mark Cartwright, Nicholas J. Bryan, Juan P. Bello
Few-shot Drum Transcription in Polyphonic Music 117-124 [pdf] |
Ashis Pati, Siddharth Kumar Gururani, Alexander Lerch
dMelodies: A Music Dataset for Disentanglement Learning 125-133 [pdf] |
Jongpil Lee, Nicholas J. Bryan, Justin Salamon, Zeyu Jin, Juhan Nam
Metric learning vs classification for disentangled music representation learning 439-445 [pdf] |
Jiawen Huang, Yun-Ning Hung, Ashis Pati, Siddharth Kumar Gururani, Alexander Lerch
Score-informed Networks for Music Performance Assessment 908-915 [pdf] |
Jacopo de Berardinis, Angelo Cangelosi, Eduardo Coutinho
The multiple voices of musical emotions: source separation for improving music emotion recognition models and their interpretability 310-317 [pdf] |
Michael M. Michelashvili, Lior Wolf
Hierarchical Timbre-painting and Articulation Generation 916-922 [pdf] |
Kyle Robinson, Dan Brown, Markus Schedl
User Insights on Diversity in Music Recommendation Lists 446-453 [pdf] |
Polina Proutskova, Anja Volk, Peyman Heydarian, Gyorgy Fazekas
From Music Ontology towards Ethno-Music-Ontology 923-931 [pdf] |
Antonio R. Parmezan, Diego Furtado Silva, Gustavo Batista
A Combination of Local Approaches for Hierarchical Music Genre Classification 740-747 [pdf] |
Jason Smith, Erin Truesdell, Jason Freeman, Brian Magerko, Kristy Boyer, Tom Mcklin
Modeling Music and Code Knowledge to Support a Co-creative AI Agent for Education 134-141 [pdf] |
Yun-Ning Hung, Alexander Lerch
Multitask Learning for Instrument Activation Aware Music Source Separation 748-755 [pdf] |
Shih-Lun Wu, Yi-Hsuan Yang
The Jazz Transformer on the Front Line: Exploring the Shortcomings of AI-composed Music through Quantitative Measures 142-149 [pdf] |
Taegyun Kwon, Dasaem Jeong, Juhan Nam
Polyphonic Piano Transcription Using Autoregressive Multi-State Note Model 454-461 [pdf] |
Christopher J. Tralie, Elizabeth Dempsey
Exact, Parallelizable Dynamic Time Warping Alignment with Linear Memory 462-469 [pdf] |
Yu-Hua Chen, Yu-Siang Huang, Wen-Yi Hsiao, Yi-Hsuan Yang
Automatic Composition of Guitar Tabs by Transformers and Groove Modeling 756-763 [pdf] |
Taejun Kim, Minsuk Choi, Evan Sacks, Yi-Hsuan Yang, Juhan Nam
A Computational Analysis of Real-World DJ Mixes using Mix-To-Track Subsequence Alignment 764-770 [pdf] |
Sanga Chaki, Pranjal Doshi, Sourangshu Bhattacharya, Priyadarshi Patnaik
Explaining Perceived Emotion Predictions in Music: An Attentive Approach 150-156 [pdf] |
Olivier Lartillot, Fred Bruford
Bistate reduction and comparison of drum patterns 318-324 [pdf] |
Meijun Liu, Eva Zangerle, Xiao Hu, Alessandro Melchiorre, Markus Schedl
Pandemics, music, and collective sentiment: evidence from the outbreak of COVID-19 157-165 [pdf] |
Martin Rohrmeier
Towards a Formalization of Musical Rhythm 621-629 [pdf] |
