Wenqin Chen, Jessica Keast, Jordan Moody, Corinne Moriarty, Felicia Villalobos, Virtue Winter, Xueqi Zhang, Xuanqi Lyu, Elizabeth Freeman, Jessie Wang, Sherry Cai, Katherine Kinnaird
Data Usage in MIR: History & Future Recommendations 25-32 [pdf] |
Alexander Lerch, Claire Arthur, Ashis Pati, Siddharth Gururani
Music Performance Analysis: A Survey 33-43 [pdf] |
Peter Knees, Markus Schedl, Masataka Goto
Intelligent User Interfaces for Music Discovery: The Past 20 Years and What’s to Come 44-53 [pdf] |
Johan Pauwels, Ken O’Hanlon, Emilia Gomez, Mark B. Sandler
20 Years of Automatic Chord Recognition from Audio 54-63 [pdf] |
Jeong Choi, Jongpil Lee, Jiyoung Park, Juhan Nam
Zero-shot Learning for Audio-based Music Classification and Tagging 67-74 [pdf] |
Alexander Pacha, Jorge Calvo-Zaragoza, Jan Hajič, jr.
Learning Notation Graph Construction for Full-Pipeline Optical Music Recognition 75-82 [pdf] |
Siddharth Gururani, Mohit Sharma, Alexander Lerch
An Attention Mechanism for Musical Instrument Recognition 83-90 [pdf] |
Thitaree Tanprasert, Teerapat Jenrungrot, Meinard Müller, Timothy Tsai
MIDI-Sheet Music Alignment Using Bootleg Score Synthesis 91-98 [pdf] |
Rachel Bittner, Magdalena Fuentes, David Rubinstein, Andreas Jansson, Keunwoo Choi, Thor Kell
mirdata: Software for Reproducible Usage of Datasets 99-106 [pdf] |
Guillaume Doras, Geoffroy Peeters
Cover Detection Using Dominant Melody Embeddings 107-114 [pdf] |
Yu-Fen Huang, Tsung-Ping Chen, Nikki Moran, Simon Coleman, Li Su
Identifying Expressive Semantics in Orchestral Conducting Kinematics 115-122 [pdf] |
Mark Gotham, Dmitri Tymoczko, Michael Cuthbert
The RomanText Format: A Flexible and Standard Method for Representing Roman Numerial Analyses 123-129 [pdf] |
Lorenzo Porcaro, Emilia Gomez
20 Years of Playlists: A Statistical Analysis on Popularity and Diversity 130-136 [pdf] |
Simon Waloschek, Aristotelis Hadjakos, Alexander Pacha
Identification and Cross-Document Alignment of Measures in Music Score Images 137-143 [pdf] |
Kento Watanabe, Masataka Goto
Query-by-Blending: A Music Exploration System Blending Latent Vector Representations of Lyric Word, Song Audio, and Artist 144-151 [pdf] |
Brian McFee, Katherine Kinnaird
Improving Structure Evaluation Through Automatic Hierarchy Expansion 152-158 [pdf] |
Gabriel Meseguer Brocal, Geoffroy Peeters
Conditioned-U-Net: Introducing a Control Mechanism in the U-Net for Multiple Source Separations 159-165 [pdf] |
Andreas Katsiavalos, Tom Collins, Bret Battey
An Initial Computational Model for Musical Schemata Theory 166-172 [pdf] |
Thomas Parmer, Yong-Yeol Ahn
Evolution of the Informational Complexity of Contemporary Western Music 175-182 [pdf] |
Keunwoo Choi, Kyunghyun Cho
Deep Unsupervised Drum Transcription 183-191 [pdf] |
Jon Gillick, Carmine-Emanuele Cella, David Bamman
Estimating Unobserved Audio Features for Target-Based Orchestration 192-199 [pdf] |
Jonathan Driedger, Hendrik Schreiber, Bas de Haas, Meinard Müller
Towards Automatically Correcting Tapped Beat Annotations for Music Recordings 200-207 [pdf] |
Berit Janssen, Tom Collins, Iris Yuping Ren
Algorithmic Ability to Predict the Musical Future: Datasets and Evaluation 208-215 [pdf] |
Stefan Balke, Matthias Dorfer, Luis Carvalho, Andreas Arzt, Gerhard Widmer
Learning Soft-Attention Models for Tempo-invariant Audio-Sheet Music Retrieval 216-222 [pdf] |
Thomas Nuttall, Miguel García-Casado, Víctor Núñez-Tarifa, Rafael Caro Repetto, Xavier Serra
Contributing to New Musicological Theories with Computational Methods: The Case of Centonization in Arab-Andalusian Music 223-228 [pdf] |
Quentin Lemaire, Andre Holzapfel
Temporal Convolutional Networks for Speech and Music Detection in Radio Broadcast 229-236 [pdf] |
Shreyan Chowdhury, Andreu Vall Portabella, Verena Haunschmid, Gerhard Widmer
Towards Explainable Music Emotion Recognition: The Route via Mid-level Features 237-243 [pdf] |
Jonathan Donier
Community-Based Cover Song Detection 244-250 [pdf] |
Magdalena Fuentes, Lucas Maia, Martín Rocamora, Luiz Biscainho, Helene-Camille Crayencour, Slim Essid, Juan Bello
Tracking Beats and Microtiming in Afro-Latin American Music Using Conditional Random Fields and Deep Learning 251-258 [pdf] |
Tsung-Ping Chen, Li Su
Harmony Transformer: Incorporating Chord Segmentation into Harmony Recognition 259-267 [pdf] |
Go Shibata, Ryo Nishikimi, Eita Nakamura, Kazuyoshi Yoshii
Statistical Music Structure Analysis Based on a Homogeneity-, Repetitiveness-, and Regularity-Aware Hierarchical Hidden Semi-Markov Model 268-275 [pdf] |
Christof Weiss, Sebastian J. Schlecht, Sebastian Rosenzweig, Meinard Müller
Towards Measuring Intonation Quality of Choir Recordings: A Case Study on Bruckner’s Locus Iste 276-283 [pdf] |
Andrew Wiggins, Youngmoo Kim
Guitar Tablature Estimation with a Convolutional Neural Network 284-291 [pdf] |
Kyungyun Lee, Juhan Nam
Learning a Joint Embedding Space of Monophonic and Mixed Music Signals for Singing Voice 295-302 [pdf] |
Morteza Behrooz, Sarah Mennicken, Jennifer Thom, Rohit Kumar, Henriette Cramer
Augmenting Music Listening Experiences on Voice Assistants 303-310 [pdf] |
John Thickstun, Zaid Harchaoui, Dean Foster, Sham Kakade
Coupled Recurrent Models for Polyphonic Music Composition 311-318 [pdf] |
Eva Zangerle, Michael Vötter, Ramona Huber, Yi-Hsuan Yang
Hit Song Prediction: Leveraging Low- and High-Level Audio Features 319-326 [pdf] |
Furkan Yesiler, Chris Tralie, Albin Correya, Diego Furtado Silva, Philip Tovstogan, Emilia Gomez, Xavier Serra
Da-TACOS: A Dataset for Cover Song Identification and Understanding 327-334 [pdf] |
Daniel Harasim, Timothy O’Donnell, Martin Rohrmeier
Harmonic Syntax in Time: Rhythm Improves Grammatical Models of Harmony 335-342 [pdf] |
Ashis Pati, Alexander Lerch, Gaëtan Hadjeres
Learning to Traverse Latent Spaces for Musical Score Inpainting 343-351 [pdf] |
Sebastian Rosenzweig, Frank Scherbaum, Meinard Müller
Detecting Stable Regions in Frequency Trajectories for Tonal Analysis of Traditional Georgian Vocal Music 352-359 [pdf] |
Dmitry Bogdanov, Alastair Porter, Hendrik Schreiber, Julián Urbano, Sergio Oramas
The AcousticBrainz Genre Dataset: Multi-Source, Multi-Level, Multi-Label, and Large-Scale 360-367 [pdf] |
Christos Koutlis, Manos Schinas, Vasiliki Gkatziaki, Symeon Papadopoulos, Yiannis Kompatsiaris
Data-Driven Song Recognition Estimation Using Collective Memory Dynamics Models 368-375 [pdf] |
Rainer Kelz, Gerhard Widmer
Towards Interpretable Polyphonic Transcription with Invertible Neural Networks 376-383 [pdf] |
Lucas Ferreira, Jim Whitehead
Learning to Generate Music With Sentiment 384-390 [pdf] |
Brian Bemman, David Meredith
Backtracking Search Heuristics for Solving the All-partition Array Problem 391-397 [pdf] |
Laurent Feisthauer, Louis Bigo, Mathieu Giraud
Modeling and Learning Structural Breaks in Sonata Forms 398-404 [pdf] |
Maarten Grachten, Emmanuel Deruty, Alexandre Tanguy
Auto-adaptive Resonance Equalization using Dilated Residual Networks 405-411 [pdf] |
Xiao Hu, Ying Que, Noriko Kando, Wenwei Lian
Analyzing User Interactions with Music Information Retrieval System: An Eye-tracking Approach 415-422 [pdf] |
Saebyul Park, Taegyun Kwon, Jongpil Lee, Jeounghoon Kim, Juhan Nam
A Cross-Scape Plot Representation for Visualizing Symbolic Melodic Similarity 423-430 [pdf] |
Reinier de Valk, Ryaan Ahmed, Tim Crawford
JosquIntab: A Dataset for Content-based Computational Analysis of Music in Lute Tablature 431-438 [pdf] |
Felipe Falcão, Barış Bozkurt, Xavier Serra, Nazareno Andrade, Ozan Baysal
A Dataset of Rhythmic Pattern Reproductions and Baseline Automatic Assessment System 439-445 [pdf] |
Mason Bretan, Larry Heck
Self-Supervised Methods for Learning Semantic Similarity in Music 446-453 [pdf] |
Adrien Ycart, Andrew McLeod, Emmanouil Benetos, Kazuyoshi Yoshii
Blending Acoustic and Language Model Predictions for Automatic Music Transcription 454-461 [pdf] |
Christoph Finkensiep, Richard Widdess, Martin Rohrmeier
Modelling the Syntax of North Indian Melodies with a Generalized Graph Grammar 462-469 [pdf] |
Adrien Ycart, Daniel Stoller, Emmanouil Benetos
A Comparative Study of Neural Models for Polyphonic Music Sequence Transduction 470-477 [pdf] |
Folgert Karsdorp, Peter Kranenburg, Enrique Manjavacas
Learning Similarity Metrics for Melody Retrieval 478-485 [pdf] |
Sebastian Böck, Matthew Davies, Peter Knees
Multi-Task Learning of Tempo and Beat: Learning One to Improve the Other 486-493 [pdf] |
Arthur Flexer, Taric Lallai
Can We Increase Inter- and Intra-Rater Agreement in Modeling General Music Similarity? 494-500 [pdf] |
Shuhei Tsuchida, Satoru Fukayama, Masahiro Hamasaki, Masataka Goto
AIST Dance Video Database: Multi-Genre, Multi-Dancer, and Multi-Camera Database for Dance Information Processing 501-510 [pdf] |
Estefania Cano, Scott Beveridge
Microtiming Analysis in Traditional Shetland Fiddle Music 511-516 [pdf] |
Zhengshan Shi, Craig Sapp, Kumaran Arul, Jerry McBride, Julius Smith
SUPRA: Digitizing the Stanford University Piano Roll Archive 517-523 [pdf] |
Lamtharn Hantrakul, Jesse Engel, Adam Roberts, Chenjie Gu, Lamtharn Hantrakul
Fast and Flexible Neural Audio Synthesis 524-530 [pdf] |
Sathwik Tejaswi Madhusudhan, Girish Chowdhary
DeepSRGM - Sequence Classification and Ranking in Indian Classical Music Via Deep Learning 533-540 [pdf] |
Anders Elowsson, Anders Friberg
Modeling Music Modality with a Key-Class Invariant Pitch Chroma CNN 541-548 [pdf] |
Harsh Verma, John Thickstun
Convolutional Composer Classification 549-556 [pdf] |
Emilia Parada-Cabaleiro, Anton Batliner, Björn Schuller
A Diplomatic Edition of Il Lauro Secco: Ground Truth for OMR of White Mensural Notation 557-564 [pdf] |
Oriol Nieto, Matthew McCallum, Matthew Davies, Andrew Robertson, Adam Stark, Eran Egozy
The Harmonix Set: Beats, Downbeats, and Functional Segment Annotations of Western Popular Music 565-572 [pdf] |
Meinard Müller, Frank Zalkow
FMP Notebooks: Educational Material for Teaching and Learning Fundamentals of Music Processing 573-580 [pdf] |
Jiawen Huang, Alexander Lerch
Automatic Assessment of Sight-reading Exercises 581-587 [pdf] |
Ondřej Cífka, Umut Simsekli, Gael Richard
Supervised Symbolic Music Style Translation Using Synthetic Data 588-595 [pdf] |
Ruihan Yang, Dingsu Wang, Ziyu Wang, Tianyao Chen, Junyan Jiang, Gus Xia
Deep Music Analogy Via Latent Representation Disentanglement 596-603 [pdf] |
Bochen Li, Aparna Kumar
Query by Video: Cross-modal Music Retrieval 604-611 [pdf] |
Michael Taenzer, Jakob Abeßer, Stylianos I. Mimilakis, Christof Weiss, Meinard Müller
Investigating CNN-based Instrument Family Recognition for Western Classical Music Recordings 612-619 [pdf] |
Jonggwon Park, Kyoyun Choi, Sungwook Jeon, Dokyun Kim, Jonghun Park
A Bi-Directional Transformer for Musical Chord Recognition 620-627 [pdf] |
Lucas Maia, Magdalena Fuentes, Luiz Biscainho, Martín Rocamora, Slim Essid
SAMBASET: A Dataset of Historical Samba de Enredo Recordings for Computational Music Analysis 628-635 [pdf] |
Hadrien Foroughmand, Geoffroy Peeters
Deep-Rhythm for Global Tempo Estimation in Music 636-643 [pdf] |
Junyan Jiang, Ke Chen, Wei Li, Gus Xia
Large-vocabulary Chord Transcription Via Chord Structure Decomposition 644-651 [pdf] |
Yichao Zhou, Wei Chu, Sam Young, Xin Chen
BandNet: A Neural Network-based, Multi-Instrument Beatles-Style MIDI Music Composition Machine 655-662 [pdf] |
Jin Ha Lee, Liz Pritchard, Chris Hubbles
Can We Listen To It Together?: Factors Influencing Reception of Music Recommendations and Post-Recommendation Behavior 663-669 [pdf] |
Jong Wook Kim, Juan Bello
Adversarial Learning for Improved Onsets and Frames Music Transcription 670-677 [pdf] |
Andre Holzapfel, Emmanouil Benetos
Automatic Music Transcription and Ethnomusicology: a User Study 678-684 [pdf] |
Chris Donahue, Huanru Henry Mao, Yiting Ethan Li, Garrison Cottrell, Julian McAuley
LakhNES: Improving Multi-instrumental Music Generation with Cross-domain Pre-training 685-692 [pdf] |
Mark Gotham, Matthew Ireland
Taking Form: A Representation Standard, Conversion Code, and Example Corpora for Recording, Visualizing, and Studying Analyses of Musical Form 693-699 [pdf] |
Stefan Lattner, Monika Dörfler, Andreas Arzt
Learning Complex Basis Functions for Invariant Representations of Audio 700-707 [pdf] |
Jean-Francois Ducher, Philippe Esling
Folded CQT RCNN For Real-time Recognition of Instrument Playing Techniques 708-714 [pdf] |
Nathaniel Condit-Schultz, Claire Arthur
humdrumR: a New Take on an Old Approach to Computational Musicology 715-722 [pdf] |
So Yeon Park, Audrey Laplante, Jin Ha Lee, Blair Kaneshiro
Tunes Together: Perception and Experience of Collaborative Playlists 723-730 [pdf] |
Miguel Roman, Antonio Pertusa, Jorge Calvo-Zaragoza
A Holistic Approach to Polyphonic Music Transcription with Neural Networks 731-737 [pdf] |
Rachel Bittner, Juan Jose Bosch
Generalized Metrics for Single-f0 Estimation Evaluation 738-745 [pdf] |
Yin-Jyun Luo, Kat Agres, Dorien Herremans
Learning Disentangled Representations of Timbre and Pitch for Musical Instrument Sounds Using Gaussian Mixture Variational Autoencoders 746-753 [pdf] |
Thomas Low, Christian Hentschel, Sayantan Polley, Anustup Das, Harald Sack, Andreas Nurnberger, Sebastian Stober
The ISMIR Explorer - A Visual Interface for Exploring 20 Years of ISMIR Publications 754-760 [pdf] |
Timothy de Reuse, Ichiro Fujinaga
Pattern Clustering in Monophonic Music by Learning a Non-Linear Embedding From Human Annotations 761-768 [pdf] |
Thassilo Gadermaier, Gerhard Widmer
A Study of Annotation and Alignment Accuracy for Performance Comparison in Complex Orchestral Music 769-775 [pdf] |
George Sioros, Guilherme Câmara, Anne Danielsen
Mapping Timing Strategies in Drum Performance 776-783 [pdf] |
Li Li, Tomoki Toda, Kazuho Morikawa, Kazuhiro Kobayashi, Shoji Makino
Improving Singing Aid System for Laryngectomees With Statistical Voice Conversion and VAE-SPACE 784-790 [pdf] |
Cheng-Zhi Anna Huang, Curtis Hawthorne, Adam Roberts, Monica Dinculescu, James Wexler, Leon Hong, Jacob Howcroft
Approachable Music Composition with Machine Learning at Scale 793-800 [pdf] |
Philippe Rigaux, Nicolas Travers
Scalable Searching and Ranking for Melodic Pattern Queries 801-808 [pdf] |
Changhong Wang, Emmanouil Benetos, Vincent Lostanlen, Elaine Chew
Adaptive Time-Frequency Scattering for Periodic Modulation Recognition in Music Signals 809-815 [pdf] |
Taketo Akama
Controlling Symbolic Music Generation based on Concept Learning from Domain Knowledge 816-823 [pdf] |
Jordan Smith, Yuta Kawasaki, Masataka Goto
Unmixer: An Interface for Extracting and Remixing Loops 824-831 [pdf] |
Flavio Figueiredo, Nazareno Andrade
Quantifying Disruptive Influence in the AllMusic Guide 832-838 [pdf] |
Elena Epure, Anis Khlif, Romain Hennequin
Leveraging knowledge bases and parallel annotations for music genre translation 839-846 [pdf] |
I-Chieh Wei, Chih-Wei Wu, Li Su
Generating Structured Drum Pattern Using Variational Autoencoder and Self-similarity Matrix 847-854 [pdf] |
Akira Maezawa, Kazuhiko Yamamoto, Takuya Fujishima
Rendering Music Performance With Interpretation Variations Using Conditional Variational RNN 855-861 [pdf] |
Yaolong Ju, Samuel Howes, Cory McKay, Nathaniel Condit-Schultz, Jorge Calvo-Zaragoza, Ichiro Fujinaga
An Interactive Workflow for Generating Chord Labels for Homorhythmic Music in Symbolic Formats 862-869 [pdf] |
Jeffrey Ens, Philippe Pasquier
Quantifying Musical Style: Ranking Symbolic Music based on Similarity to a Style 870-877 [pdf] |
Jie Hwan Lee, Hyeong-Seok Choi, Kyogu Lee
Audio Query-based Music Source Separation 878-885 [pdf] |
Daniel MacKinlay, Zdravko Botev
Mosaic Style Transfer Using Sparse Autocorrelograms 886-893 [pdf] |
Juheon Lee, Seohyun Kim, Kyogu Lee
Automatic Choreography Generation with Convolutional Encoder-decoder Network 894-899 [pdf] |
Fu Zih-Sing, Li Su
Hierarchical Classification Networks for Singing Voice Segmentation and Transcription 900-907 [pdf] |
Dasaem Jeong, Taegyun Kwon, Yoojin Kim, Kyogu Lee, Juhan Nam
VirtuosoNet: A Hierarchical RNN-based System for Modeling Expressive Piano Performance 908-915 [pdf] |
Daniel Yang, Thitaree Tanprasert, Teerapat Jenrungrot, Mengyi Shan, Timothy Tsai
MIDI Passage Retrieval Using Cell Phone Pictures of Sheet Music 916-923 [pdf] |
Federico Simonetta, Carlos Eduardo Cancino-Chacón, Stavros Ntalampiras, Gerhard Widmer
A Convolutional Approach to Melody Line Identification in Symbolic Scores 924-931 [pdf] |
