Roman B. Gebhardt, Michael Stein, Athanasios Lykartsis
A Confidence Measure For Key Labelling 3-9 [pdf] |
Filip Korzeniowski, Gerhard Widmer
Improved Chord Recognition by Combining Duration and Harmonic Language Models 10-17 [pdf] |
Tristan Carsault, Jerome Nika, Philippe Esling
Using Musical Relationships Between Chord Labels in Automatic Chord Extraction Tasks 18-25 [pdf] |
Stefan Lattner, Maarten Grachten, Gerhard Widmer
A Predictive Model for Music based on Learned Interval Representations 26-33 [pdf] |
Miguel A. Román, Antonio Pertusa, Jorge Calvo-Zaragoza
An End-to-end Framework for Audio-to-Score Music Transcription on Monophonic Excerpts 34-41 [pdf] |
Andrew McLeod, Mark Steedman
Evaluating Automatic Polyphonic Music Transcription 42-49 [pdf] |
Curtis Hawthorne, Erich Elsen, Jialin Song, Adam Roberts, Ian Simon, Colin Raffel, Jesse Engel, Sageev Oore, Douglas Eck
Onsets and Frames: Dual-Objective Piano Transcription 50-57 [pdf] |
Carl Southall, Ryan Stables, Jason Hockman
Player Vs Transcriber: A Game Approach To Data Manipulation For Automatic Drum Transcription 58-65 [pdf] |
Nathaniel Condit-Schultz, Yaolong Ju, Ichiro Fujinaga
A Flexible Approach to Automated Harmonic Analysis: Multiple Annotations of Chorales by Bach and Prætorius 66-73 [pdf] |
Tejaswinee Kelkar, Udit Roy, Alexander Refsum Jensenius
Evaluating a Collection of Sound-Tracing Data of Melodic Phrases 74-81 [pdf] |
Dogac Basaran, Slim Essid, Geoffroy Peeters
Main Melody Estimation with Source-Filter NMF and CRNN 82-89 [pdf] |
Tsung-Ping Chen, Li Su
Functional Harmony Recognition of Symbolic Music Data with Multi-task Recurrent Neural Networks 90-97 [pdf] |
Hendrik Schreiber, Meinard Müller
A Single-step Approach to Musical Tempo Estimation using a Convolutional Neural Network 98-105 [pdf] |
Magdalena Fuentes, Brian McFee, Hélène C. Crayencour, Slim Essid, Juan Pablo Bello
Analysis of Common Design Choices in Deep Learning Systems for Downbeat Tracking 106-112 [pdf] |
Andrew McLeod, Mark Steedman
Meter Detection and Alignment of MIDI Performance 113-119 [pdf] |
Dasaem Jeong, Taegyun Kwon, Juhan Nam
A Timbre-based Approach to Estimate Key Velocity from Polyphonic Piano Recordings 120-127 [pdf] |
Francesco Bigoni, Sofia Dahl
Timbre Discrimination for Brief Instrument Sounds 128-134 [pdf] |
Yun-Ning Hung, Yi-Hsuan Yang
Frame-level Instrument Recognition by Timbre and Pitch 135-142 [pdf] |
Hiroaki Tsushima, Eita Nakamura, Katsutoshi Itoyama, Kazuyoshi Yoshii
Interactive Arrangement of Chords and Melodies Based on a Tree-Structured Generative Model 145-151 [pdf] |
Daniel Harasim, Martin Rohrmeier, Timothy J. O’Donnell
A Generalized Parsing Framework for Generative Models of Harmonic Syntax 152-159 [pdf] |
Peter M. C. Harrison, Marcus T. Pearce
An Energy-based Generative Sequence Model for Testing Sensory Theories of Western Harmony 160-167 [pdf] |
Shun-Yao Shih, Heng-Yu Chi
Automatic, Personalized, and Flexible Playlist Generation using Reinforcement Learning 168-174 [pdf] |
Philippe Esling, Axel Chemla–Romeu-Santos, Adrien Bitton
Bridging Audio Analysis, Perception and Synthesis with Perceptually-regularized Variational Timbre Spaces 175-181 [pdf] |
Rachel Manzelli, Vijay Thakkar, Ali Siahkamari, Brian Kulis
Conditioning Deep Generative Raw Audio Models for Structured Automatic Music 182-189 [pdf] |
Hao-Wen Dong, Yi-Hsuan Yang
Convolutional Generative Adversarial Networks with Binary Neurons for Polyphonic Music Generation 190-196 [pdf] |
Christopher Tralie
Cover Song Synthesis by Analogy 197-203 [pdf] |
Yujia Yan, Ethan Lustig, Joseph VanderStel, Zhiyao Duan
Part-invariant Model for Music Generation and Harmonization 204-210 [pdf] |
David Sears, Filip Korzeniowski, Gerhard Widmer
Evaluating Language Models of Tonal Harmony 211-217 [pdf] |
Bochen Li, Akira Maezawa, Zhiyao Duan
Skeleton Plays Piano: Online Generation of Pianist Body Movements from MIDI Performance 218-224 [pdf] |
Jan Hajič jr., Matthias Dorfer, Gerhard Widmer, Pavel Pecina
Towards Full-Pipeline Handwritten OMR with Musical Symbol Detection by U-Nets 225-232 [pdf] |
Tim Crawford, Golnaz Badkobeh, David Lewis
Searching Page-Images of Early Music Scanned with OMR: A Scalable Solution Using Minimal Absent Words 233-239 [pdf] |
Alexander Pacha, Jorge Calvo-Zaragoza
Optical Music Recognition in Mensural Notation with Region-based Convolutional Neural Networks 240-247 [pdf] |
Jorge Calvo-Zaragoza, David Rizo
Camera-PrIMuS: Neural End-to-End Optical Music Recognition on Realistic Monophonic Scores 248-255 [pdf] |
Francisco Castellanos, Jorge Calvo-Zaragoza, Gabriel Vigliensoni, Ichiro Fujinaga
Document Analysis of Music Score Images with Selectional Auto-Encoders 256-263 [pdf] |
Filip Korzeniowski, Gerhard Widmer
Genre-Agnostic Key Classification With Convolutional Neural Networks 264-270 [pdf] |
Lukas Tuggener, Ismail Elezi, Jürgen Schmidhuber, Thilo Stadelmann
Deep Watershed Detector for Music Object Recognition 271-278 [pdf] |
Reinier de Valk, Tillman Weyde
Deep Neural Networks with Voice Entry Estimation Heuristics for Voice Separation in Symbolic Music Representations 281-288 [pdf] |
Sungheon Park, Taehoon Kim, Kyogu Lee, Nojun Kwak
Music Source Separation Using Stacked Hourglass Networks 289-296 [pdf] |
Ethan Manilow, Prem Seetharaman, Bryan Pardo
The Northwestern University Source Separation Library 297-305 [pdf] |
Jakob Abeßer, Stefan Balke, Meinard Müller
Improving Bass Saliency Estimation using Transfer Learning and Label Propagation 306-312 [pdf] |
Carl Southall, Ryan Stables, Jason Hockman
Improving Peak-picking Using Multiple Time-step Loss Functions 313-320 [pdf] |
Jan Schlüter, Bernhard Lehner
Zero-Mean Convolutions for Level-Invariant Singing Voice Detection 321-326 [pdf] |
Mathieu Andreux, Stéphane Mallat
Music Generation and Transformation with Moment Matching-Scattering Inverse Networks 327-333 [pdf] |
Daniel Stoller, Sebastian Ewert, Simon Dixon
Wave-U-Net: A Multi-Scale Neural Network for End-to-End Audio Source Separation 334-340 [pdf] |
Melissa R. McGuirl, Katherine M. Kinnaird, Claire Savard, Erin H. Bugbee
SE and SNL diagrams: Flexible data structures for MIR 341-347 [pdf] |
Cory McKay, Julie Cumming, Ichiro Fujinaga
JSYMBOLIC 2.2: Extracting Features from Symbolic Music for use in Musicological and MIR Research 348-354 [pdf] |
Louis Bigo, Laurent Feisthauer, Mathieu Giraud, Florence Levé
Relevance of Musical Features for Cadence Detection 355-361 [pdf] |
Xiao Hu, Fanjie Li, Jeremy T. D. Ng
On the Relationships between Music-induced Emotion and Physiological Signals 362-369 [pdf] |
Rémi Delbouys, Romain Hennequin, Francesco Piccoli, Jimena Royo-Letelier, Manuel Moussallam
Music Mood Detection Based on Audio and Lyrics with Deep Neural Net 370-375 [pdf] |
Emilia Parada-Cabaleiro, Maximilian Schmitt, Anton Batliner, Simone Hantke, Giovanni Costantini, Klaus Scherer, Bjoern Schuller
Identifying Emotions in Opera Singing: Implications of Adverse Acoustic Conditions 376-382 [pdf] |
Renato Panda, Ricardo Malheiro, Rui Pedro Paiva
Musical Texture and Expressivity Features for Music Emotion Recognition 383-391 [pdf] |
André Ofner, Sebastian Stober
Shared Generative Representation of Auditory Concepts and EEG to Reconstruct Perceived and Imagined Music 392-399 [pdf] |
Renan de Padua, Verônica Oliveira de Carvalho, Solange Rezende, Diego Furtado Silva
Exploring Musical Relations Using Association Rule Networks 400-406 [pdf] |
Hendrik Schreiber, Meinard Müller
A Crowdsourced Experiment for Tempo Estimation of Electronic Dance Music 409-415 [pdf] |
Christof Weiss, Stefan Balke, Jakob Abeßer, Meinard Müller
Computational Corpus Analysis: A Case Study on Jazz Solos 416-423 [pdf] |
Pasquale Lisena, Konstantin Todorov, Cécile Cecconi, Françoise Leresche, Isabelle Canno, Frédéric Puyrenier, Martine Voisin, Thierry Le Meur, Raphaël Troncy
Controlled Vocabularies for Music Metadata 424-430 [pdf] |
Gabriel Meseguer-Brocal, Alice Cohen-Hadria, Geoffroy Peeters
DALI: A Large Dataset of Synchronized Audio, Lyrics and notes, Automatically Created using Teacher-student Machine Learning Paradigm. 431-437 [pdf] |
Eric Humphrey, Simon Durand, Brian McFee
OpenMIC-2018: An Open Data-set for Multiple Instrument Recognition 438-444 [pdf] |
Chih-Wei Wu, Alexander Lerch
From Labeled to Unlabeled Data – On the Data Challenge in Automatic Drum Transcription 445-452 [pdf] |
Qingyang Xi, Rachel Bittner, Johan Pauwels, Xuzhou Ye, Juan Pablo Bello
GuitarSet: A Dataset for Guitar Transcription 453-460 [pdf] |
Emilia Parada-Cabaleiro, Maximilian Schmitt, Anton Batliner, Bjoern Schuller
Musical-Linguistic Annotations of Il Lauro Secco 461-467 [pdf] |
Julia Wilkins, Prem Seetharaman, Alison Wahl, Bryan Pardo
VocalSet: A Singing Voice Dataset 468-474 [pdf] |
Chris Donahue, Huanru Henry Mao, Julian McAuley
The NES Music Database: A multi-instrumental dataset with expressive performance attributes 475-482 [pdf] |
Vsevolod Eremenko, Emir Demirel, Baris Bozkurt, Xavier Serra
Audio-Aligned Jazz Harmony Dataset for Automatic Chord Transcription and Corpus-based Research 483-490 [pdf] |
Julie Cumming, Cory McKay, Jonathan Stuchbery, Ichiro Fujinaga
Methodologies for Creating Symbolic Corpora of Western Music Before 1600 491-498 [pdf] |
Venkata Viraraghavan, Rangarajan Aravind, Hema Murthy
Precision of Sung Notes in Carnatic Music 499-505 [pdf] |
Kyungyun Lee, Keunwoo Choi, Juhan Nam
Revisiting Singing Voice Detection: A quantitative review and the future outlook 506-513 [pdf] |
Andrew Demetriou, Andreas Jansson, Aparna Kumar, Rachel Bittner
Vocals in Music Matter: the Relevance of Vocals in the Minds of Listeners 514-520 [pdf] |
Wei Tsung Lu, Li Su
Vocal Melody Extraction with Semantic Segmentation and Audio-symbolic Domain Transfer Learning 521-528 [pdf] |
Michael Barone, Karim Ibrahim, Chitralekha Gupta, Ye Wang
Empirically Weighting the Importance of Decision Factors for Singing Preference 529-536 [pdf] |
Iris Yuping Ren, Anja Volk, Wouter Swierstra, Remco Veltkamp
Analysis by Classification: A Comparative Study of Annotated and Algorithmically Extracted Patterns in Symbolic Music Data 539-546 [pdf] |
Christoph Finkensiep, Markus Neuwirth, Martin Rohrmeier
Generalized Skipgrams for Pattern Discovery in Polyphonic Streams 547-553 [pdf] |
Igor Vatolkin, Günter Rudolph
Comparison of Audio Features for Recognition of Western and Ethnic Instruments in Polyphonic Mixtures 554-560 [pdf] |
Takumi Takahashi, Satoru Fukayama, Masataka Goto
Instrudive: A Music Visualization System Based on Automatically Recognized Instrumentation 561-568 [pdf] |
Siddharth Gururani, Cameron Summers, Alexander Lerch
Instrument Activity Detection in Polyphonic Music using Deep Neural Networks 569-576 [pdf] |
Juan S. Gómez, Jakob Abeßer, Estefanía Cano
Jazz Solo Instrument Classification with Convolutional Neural Networks, Source Separation, and Transfer Learning 577-584 [pdf] |
Katherine M. Kinnaird
Aligned Sub-Hierarchies: A Structure-based Approach to the Cover Song Task 585-591 [pdf] |
Andreas Arzt, Stefan Lattner
Audio-to-Score Alignment using Transposition-invariant Features 592-599 [pdf] |
Chitralekha Gupta, Rong Tong, Haizhou Li, Ye Wang
Semi-supervised Lyrics and Solo-singing Alignment 600-607 [pdf] |
Vinod Subramanian, Alexander Lerch
Concert Stitch: Organization and Synchronization of Crowd Sourced Recordings 608-614 [pdf] |
Anna Aljanaki, Mohammad Soleymani
A Data-driven Approach to Mid-level Perceptual Musical Feature Modeling 615-621 [pdf] |
Jimena Royo-Letelier, Romain Hennequin, Viet-Anh Tran, Manuel Moussallam
Disambiguating Music Artists at Scale with Audio Metric Learning 622-629 [pdf] |
Simon Waloschek, Aristotelis Hadjakos
Driftin’ Down the Scale: Dynamic Time Warping in the Presence of Pitch Drift and Transpositions 630-636 [pdf] |
Jordi Pons, Oriol Nieto, Matthew Prockup, Erik M. Schmidt, Andreas F. Ehmann, Xavier Serra
End-to-end Learning for Music Audio Tagging at Scale 637-644 [pdf] |
Romain Hennequin, Jimena Royo-Letelier, Manuel Moussallam
Audio Based Disambiguation of Music Genre Tags 645-652 [pdf] |
Yin-Jyun Luo, Li Su
Learning Domain-Adaptive Latent Representations of Music Signals Using Variational Autoencoders 653-660 [pdf] |
Stefan Lattner, Maarten Grachten, Gerhard Widmer
Learning Interval Representations from Polyphonic Music Sequences 661-668 [pdf] |
Louis Spinelli, Josephine Lau, Liz Pritchard, Jin Ha Lee
Influences on the Social Practices Surrounding Commercial Music Services: A Model for Rich Interactions 671-677 [pdf] |
Christine Bauer, Markus Schedl
Investigating Cross-Country Relationship between Users’ Social Ties and Music Mainstreaminess 678-686 [pdf] |
Kosetsu Tsukuda, Satoru Fukayama, Masataka Goto
Listener Anonymizer: Camouflaging Play Logs to Preserve User’s Demographic Anonymity 687-694 [pdf] |
Elad Liebman, Corey N. White, Peter Stone
On the Impact of Music on Decision Making in Cooperative Tasks 695-701 [pdf] |
Emmanouil Krasanakis, Emmanouil Schinas, Symeon Papadopoulos, Yiannis Kompatsiaris, Pericles Mitkas
VenueRank: Identifying Venues that Contribute to Artist Popularity 702-708 [pdf] |
Eva Zangerle, Martin Pichl
The Many Faces of Users: Modeling Musical Preference 709-716 [pdf] |
Jiyoung Park, Jongpil Lee, Jangyeon Park, Jung-Woo Ha, Juhan Nam
Representation Learning of Music Using Artist Labels 717-724 [pdf] |
Gabriele Medeot, Srikanth Cherla, Katerina Kosta, Matt McVicar, Samer Abdallah, Marco Selvi, Ed Newton-Rex, Kevin Webster
StructureNet: Inducing Structure in Generated Melodies 725-731 [pdf] |
Diego Furtado Silva, Felipe Falcão, Nazareno Andrade
Summarizing and Comparing Music Data and Its Application on Cover Song Identification 732-739 [pdf] |
Wei Tsung Lu, Li Su
Transferring the Style of Homophonic Music Using Recurrent Neural Networks and Autoregressive Model 740-746 [pdf] |
Gino Brunner, Andres Konrad, Yuyi Wang, Roger Wattenhofer
MIDI-VAE: Modeling Dynamics and Instrumentation of Music with Applications to Style Transfer 747-754 [pdf] |
Saumitra Mishra, Bob L. Sturm, Simon Dixon
Understanding a Deep Machine Listening Model Through Feature Inversion 755-762 [pdf] |
Tian Cheng, Satoru Fukayama, Masataka Goto
Comparing RNN Parameters for Melodic Similarity 763-770 [pdf] |
Mathieu Lagrange, Mathias Rossignol, Grégoire Lafay
Visualization of Audio Data Using Stacked Graphs 771-776 [pdf] |
Klaus Frieler, Frank Höger, Martin Pfleiderer, Simon Dixon
Two Web Applications for Exploring Melodic Patterns in Jazz Solos 777-783 [pdf] |
Matthias Dorfer, Florian Henkel, Gerhard Widmer
Learning to Listen, Read, and Follow: Score Following as a Reinforcement Learning Game 784-791 [pdf] |
Olivier Gouvert, Thomas Oberlin, Cédric Févotte
Matrix Co-Factorization for Cold-Start Recommendation 792-798 [pdf] |
